BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Bermondsey Project Space - ECPv6.0.11//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Bermondsey Project Space
X-ORIGINAL-URL:https://project-space.london
X-WR-CALDESC:Events for Bermondsey Project Space
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20180101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180911
DTEND;VALUE=DATE:20180916
DTSTAMP:20260619T114612
CREATED:20180830T102020Z
LAST-MODIFIED:20190720T103402Z
UID:6553-1536624000-1537055999@project-space.london
SUMMARY:Debbie Castro -- I - CUT
DESCRIPTION:I-CUT\nDebbie Castro\n11 – 15  September\nPrivate View Thursday  13th September 6 – 9 pm\n  \nI have an overwhelming need to document key changes and turning points in my life and to capture those moments and memories in image\, thus when my husband and I were planning pregnancy I needed a specific document of my body before all the changes that were about to happen to it – my way to be in control and to consciously choose change\, readying myself to move from the now that I recognise to whatever is next. My husband took the polaroid. I hated it\, I hated myself in it\, right then I hated him a bit for not knowing what I needed\, for not taking the moment seriously.I picked up the scissors and I cut\, I cut out all the bits that annoyed me and I was cutting his lack of care and my frustration and fear of the unknown.  I put the pieces in a blue plastic sandwich back and zipped it shut forever only to re-find them later and really love them and the disjointedness of the image they created. \n  \nStem from an image of the photographer and her emotional reaction to it\, the body of work I-CUT is about turning the subject and photographer relationship on its head in producing a piece\, a representation that cannot and will not exist without the photographer but the final image and its meaning are out of her control. \nIt is a collaboration as the person portrayed self-directs their pose and then edits their own image – cutting the polaroid\, but it is also a performance that produces a unique object as Castro is always there documenting their reaction\, but there is only one single unreproducible polaroid taken.
URL:https://project-space.london/event/debbie-castro-2
CATEGORIES:Events,Previous Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2018/08/Lisa-.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180911
DTEND;VALUE=DATE:20180916
DTSTAMP:20260619T114612
CREATED:20180831T153019Z
LAST-MODIFIED:20190720T103402Z
UID:5662-1536624000-1537055999@project-space.london
SUMMARY:Philip Volkers: Dust to Dawn - A Photographic Adventure at Burning Man
DESCRIPTION:Dust to Dawn\nA photographic Adventure at Burning Man\nPhilip Volkers\n11 – 15 September 2018\nRenegade photographer Philip Volkers’ book “Dust to Dawn” which is to be published by Kehrer Verlag\, at the end of August\, documents his visual adventures at Nevada’s notorious Burning Man Festival over a 10-year period. Every year 75\,000 people descend on an alkaline lake bed in Nevada for The Burning Man Festival\, a highly influential festival and heaven for enquiring minds. Few people are fortunate enough to experience a decade of Burning Man\, one of the most extraordinary human gatherings in the world\, but as official photographer\, Philip Volkers has captured the many raw and spiritual moments from the festival over the past ten years. The culminated works from his unique vantage point have led to the creation of a new art book ‘Dust to Dawn’ published by Kehrer Verlag and an exhibition of large-scale works to be held at the Bermondsey Project Space before touring to the Lucy Bell Gallery in St Leonards-on-Sea. Volkers’ passion is the documentation of spiritual\, hedonistic gatherings\, and exploring the meaning behind them. \n  \n“I have always had a fascination with human gatherings and what first attracted me to Burning Man was that it is one of the only places on Earth that transgresses commodification; a place where people from across the globe are stripped of social crutches such as mobile phones and gather to push themselves to the limits of survival and expression. Burning Man is a completely unique opportunity to see amazing art combined with cutting edge technology. Dust to Dawn celebrates iconic Burning Man artists and designers such as Alex Wreckage and his ‘Lost Tea Party’ and Marco Cochrane. Having been part of Burning man for 10 years\, I have seen it evolve into the global phenomenon that it is today but at its core the fundamentals of what Burning Man stands for remain the same\, and ‘Dust to Dawn’ and the exhibition is my way of celebrating Burning Man and revealing a little of the magic that lies under its surface.”  \n  \nThe book “Dust to Dawn”\, fully sanctioned by Burning Man\, and exhibition showcases Philip Volkers’ work as a photographer\, an anthropological enthusiast and documenter of a festival that continues to captivate the world. \nAn exhibition timed to coincide with the launch of the Publication of Philip Volkers book “Dust to Dawn” published by Kehrer Verlag.
URL:https://project-space.london/event/philip-volkers
CATEGORIES:Events,Previous Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2018/09/PV-BM-Book-Cover-05.2018-crop-1.jpg
END:VEVENT
END:VCALENDAR