BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Bermondsey Project Space - ECPv6.0.11//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Bermondsey Project Space X-ORIGINAL-URL:https://project-space.london X-WR-CALDESC:Events for Bermondsey Project Space REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:UTC BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0000 TZNAME:UTC DTSTART:20160101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;VALUE=DATE:20180123 DTEND;VALUE=DATE:20180204 DTSTAMP:20260607T073329 CREATED:20180124T115519Z LAST-MODIFIED:20180124T115519Z UID:6536-1516665600-1517702399@project-space.london SUMMARY:SPi Street Awards 2017 DESCRIPTION:SPi Street Awards 2017\nWinner and Finalists\n23 January – 3 February\n  \nStreet Photography International are a collective of street photographers who formed with the aim to promote the best Street Photography from around the world\, and to provide a platform for unrepresented photographers with talent. \nThe SPi Street Awards 2017 exhibition at Bermondsey Project Space will showcase the winner\, Merel Schoneveld\, in a solo exhibition and the following 20 finalists in the concurrent group exhibition from 23rd January – 3rd February \nAdnan Mahmutovic | Alexander Munoz | Anna Ligia Machado | Aristide Economopoulos | Daniel Tschitsch  Esther Rodriguez Johansson James Davey | Jeremy Perez-Cruz | Julie Hrudova | Julius Manzano | Ken Walton  Laurent Delhourme | Marco Domenico Parenti |Lorenzo Fasola | Mykolas Juodele | Valerie Six | Mithail Afrige Chowdhury | Rafayat Haque Khan | Sacha Wühle | Patrick Dreuning \nMerel Schoneveld\nMithail Afrige Chowdhury\nSacha Wühle\nKen Walton\n                                                                                                                                             \n  \nFeatured image: Mykolas Juodele URL:https://project-space.london/event/spi-street-awards-2017-2 CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/11/Mykolas-Juodele_-copy-1.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20180116T110000 DTEND;TZID=UTC:20180120T180000 DTSTAMP:20260607T073329 CREATED:20171116T123240Z LAST-MODIFIED:20190615T152208Z UID:4753-1516100400-1516471200@project-space.london SUMMARY:'A1 Britain on the Verge' an exhibition by Peter Dench DESCRIPTION:‘A1: Britain on the Verge’ an exhibition by Peter Dench\n16 – 20 January 2018 \nBritain is about to change. The fault lines that exist across the country have been exacerbated by the nation’s 2016 decision to leave the EU and the unconvincing outcome of the June 2017 general election. Communities and families have been divided. Is life in Britain about to become better or worse? Will employment opportunities increase or diminish? Will the economy and industries collapse or thrive? Are the British worried about the future and do elderly people\, the majority of whom voted Leave\, care less about it than the young? Will Britain leaving the European Union mean immigrants will feel unsafe and be forced to leave? How proud do people feel to be British? \nThese are some of the many questions photojournalist Peter Dench put to the people of Britain. The A1\, Britain’s longest numbered road\, was his tendril to them\, an artery that connects as much as it divides. It begins near St Paul’s in the City of London\, zipping north through the suburbs of Bedfordshire\, the industrial East Midlands\, northeast England and the east coast of Scotland\, ending around 410 miles later in Edinburgh. Dench traveled its length photographing the eclectic characters he met along the way; in truck stops and cafes\, temples and homes\, businesses and bars. It provided Dench with a route of certainty in a time of tumult\, through a nation on the verge. \nPeter Dench: \nThe Angel of The North stands stoically still to the east of the A1\, just south of Gateshead. It has seen it all and is seen by around 33 million people a year. It sees the many fast food outlets McBlotting the landscape. It sees the discarded adult magazines in the lay-by\, the cars being cleaned in the shadow of the Ferrybridge power stations and the goats gamboling at the tongue twisting Esshottheugh Animal Park. It sees the truckers reading complimentary copies of Truckstop News (the national newspaper for truckers) at Flo’s Cafe\, where customers can also take a selfie with a cardboard cutout of the Queen. It sees the Gurdwaras being hosed clean on Sunday morning and Muslims kicking their shoes off on the pavement for Friday prayer. \nDriving the length of the A1\, Britain doesn’t seem full. At times it feels lonely. The east coast of Scotland is largely empty except for the occasional nuclear power station\, cement factory and caravan park. The Labour voters I met along the A1 say they are doing okay. The Conservative voters I met say they are doing okay. This is Britain on the verge. If the stoicism\, drive and grit of the people I met is an accurate reflection of the nation\, Britain is going to be okay. As my journey trundles to a conclusion under a Scottish sunset\, I pull over and pull out a copy of Truckstop News\, rereading a few lines from the relatable poem Trucking Journeys\, submitted by Daphne Dawkins from Scunthorpe: \nAs the wheels hum along through the rain. \nThis week they’re cruising the roads of Britain\, \nTheir journeys could take them to far-off places \nAnd they must meet some very different faces. \nThis job is not easy\, tiring long hours\, it’s true\, \nBut as every day passes\, they see something new. \nCatalogue available. \n  \n  URL:https://project-space.london/event/coming-soon-a1-britain-verge-exhibition-peter-dench-2-2 CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/11/DENCH_A1-Britain_on_the_Verge084.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20171212T110000 DTEND;TZID=UTC:20180113T180000 DTSTAMP:20260607T073329 CREATED:20171116T122832Z LAST-MODIFIED:20180825T102254Z UID:4780-1513076400-1515866400@project-space.london SUMMARY:Kirsten Reynolds - Dark Ages DESCRIPTION:Kirsten Reynolds: Dark Ages\n12 December 2017- 13 January 2018\nGALLERY TWO\nKirsten Reynolds is an English artist whose current work uses photography\, painting\, printmaking and sound / light installation to re-interpret classical themes relating to landscape\, nature and the environment. Preferring to work off the beaten track\, Reynolds chooses significant locations to make nocturnal light drawings that capture dynamic traces of the artist’s movements in response to each specific landscape. Whilst this technique has been much used over the years in science and the arts\, Reynolds has developed a unique approach and her background in music and sound art makes her intuitive physical response to the chosen location both compelling and powerful. \n‘The photographs she takes record her explorations of place and time through drawing. She weaves skeins of light before the lens\, sometimes white\, sometimes coloured. Her trajectory leaves traces whose shapes shift from transparent\, through opaque\, to sinuous\, web-fine lines with the tensile strength of steel. Sometimes the landscape is barely discernible\, just a dense tactile space\, at other times the forms drift over recognisable terrain like mist that is impossibly articulated\, or a bolt of fine silk\, each fold of which is impossibly crystalline\, or a transparent titanium sculpture. They look like an extraordinary natural event: the aurora borealis\, or freak electrical activity.’ Simone Witney\, Hastings Independent Press\, 2017 \n‘The drawing process has a lot in common with making music; and I’d say drumming in particular. There is only one chance in each frame to get it right\, although there is no pre-defined idea of what is ‘right’. It’s almost like visual improvising with the landscape. The environment is very influential\, and intuition and experimentation are important every time. Each location needs to present a new challenge as repetition and predictability within the process results in images that lack dynamism.’ Kirsten Reynolds\, 2017 \nReynolds has exhibited worldwide from the Hayward Gallery in London for Sonic Boom; The Art of Sound\, the first international exhibition of Sound Art\, to the Sydney Festival with Power Plant\, in which five artists present over thirty site-specific sound and light installations botanic gardens and public parks. Power Plant has won critical acclaim at major arts festivals around the world from the Hong Kong Arts Festival 2011 to the Auckland Arts Festival 2017. \nArtist Richard Wilson says of Reynolds’ work: \n‘This is not ephemeral art\, this is light\, action and location all suspended in time as a gestural moment of magic.‘ \nCatalogue available  URL:https://project-space.london/event/coming-soon-kirsten-reynolds-dark-ages-2 CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/11/Kirsten-Reynolds-Before-and-After-Silence-II_web.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20171212T100000 DTEND;TZID=UTC:20180113T180000 DTSTAMP:20260607T073329 CREATED:20171108T110650Z LAST-MODIFIED:20180825T102254Z UID:4704-1513072800-1515866400@project-space.london SUMMARY:The Arborealists- The Art of Trees 2017 DESCRIPTION: The Arborealists: The Art of Trees 2017\n curated by Philippa Beale\n12 December 2017-13 January 2018 \nGALLERY ONE\nThe appearance of the Arborealists in 2013 is an extraordinary phenomenon within the pervading orthodoxy in an art world that values post modernist objects\, film and popular culture. Where events\, interventions and installations engage the viewer\, what can ‘tree painters’ (the Arborealists are for the most part painters)\, offer a public that is understandably titillated by Jeff Koons and Damien Hirst. Nevertheless\, the incredible success of the David Hockney exhibition at the Tate proves that the general public are still interested in artists who reveal nature. \nIn recent years\, many artists have discovered that trees have become one of their most penetrating of influences. The story of their existence and survival is intrinsic to our history and culture\, they are even a part of our political landscape. They are a metaphor for our own survival. They live in tribes and families\, in forests and groves. As ‘specimens’\, they also can stand alone\, not out of choice but like brave\, solitary people who stand up to be counted\, like ‘the one just man’ who does not remain silent when evil is done. \nTrees represent the holy\, the exemplary\, the beautiful and the strength required of mankind. Cut down a tree and it reveals its whole history in the rings of its trunk\, all its scars\, struggles and suffering. The attacks of axe\, saw and storms leave scars but as every forester knows\, the hardest woods have the narrowest rings and it is in the most infertile places that the strongest and most indestructible trees grow. Trees permeate our history providing inspiration for religions\, literature\, poetry\, visual art and architecture. \nPhilippa Beale. \nVaux en Couhé\, France\, May 2017 \nExcerpt from the exhibition catalogue. \nCatalogue available \n  URL:https://project-space.london/event/coming-soon-arborealists-art-trees-2017 CATEGORIES:Events ATTACH;FMTTYPE=image/png:https://project-space.london/wp-content/uploads/2017/11/Screen-Shot-2018-01-04-at-14.35.15-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20171205T110000 DTEND;TZID=UTC:20171209T180000 DTSTAMP:20260607T073329 CREATED:20171109T140120Z LAST-MODIFIED:20180829T144139Z UID:4730-1512471600-1512842400@project-space.london SUMMARY:Magnum RETOLD 5-9 December 2017 DESCRIPTION:Magnum RETOLD\nA selection of stories from the anniversary project in celebration of 70 years of storytelling\nFeaturing works by Magnum photographers \nOlivia Arthur  |  Thomas Dworzak\nThomas Hoepker  |  Moises Saman\n5 – 9 December\nOn the occasion of Magnum’s 70th anniversary\, Magnum RETOLD celebrates the powerful legacy of documentary storytelling throughout the agency’s history through to the present day. \nThe exhibition will showcase a series that reflects both the importance and beauty of stories shot by Magnum’s earliest photographers and their ongoing resonance\, not only for Magnum photographers but for all of us in today’s fast-changing world. \nWhen asked to consider an archival story that had influenced or inspired their practice\, contemporary Magnum photographers each chose a story that meant something to them personally or on a topical subject that they wished to re-visit today. In the exhibition\, we see new work by a selection of Magnum photographers\, who each respond to the project in their own manner. \nOlivia Arthur references the Children of Europe project shot by founder David Seymour in the years after The Second World War; Thomas Dworzak\, and journalist Julius Strauss\, retraced the steps of Robert Capa and writer John Steinbeck through Russia\, Ukraine\, and Georgia in A Russian Journal. Thomas Hoepker pays tribute to the poetic work of Sergio Larrian in Valparaiso; and Moises Saman\, with Marco Bischof\, followed in the final footsteps of Werner Bischof as he was documenting life in the Peruvian mountains when he tragically died in a road accident. \n  \n  \n  URL:https://project-space.london/event/coming-soon-magnum-retold CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/11/NN11523231.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20171128T100000 DTEND;TZID=UTC:20171202T220000 DTSTAMP:20260607T073329 CREATED:20171108T105551Z LAST-MODIFIED:20190615T152208Z UID:4714-1511863200-1512252000@project-space.london SUMMARY:'A Beautiful Silence' Photography exhibition by Steve Gosling DESCRIPTION:‘A Beautiful Silence’\nPhotography exhibition by Steve Gosling\n28 November – 2 December 2017\nIn November 2016\, Steve Gosling travelled to South Georgia and Antarctica as an instructor on a Luminous Landscape workshop which gave him the opportunity to capture the landscapes that appear in his photographs. \nMy son tells me that I have the best job in the world. I think he might just be right! In November 2016 I had the pleasure of being an instructor on a Luminous Landscape workshop in South Georgia & Antarctica. Both locations have been on my bucket list for some time so to have the opportunity to get to see & photograph these incredible landscapes was too good to be true. \nIt’s not a travel journal but more a collation of the wide variety of subjects that stirred a response in me – from graphic or abstract images to landscapes and the wildlife we saw along the way. It is a mixture of both colour and B&W images as I didn’t want to be restricted to one or the other. The images reflect my visual and emotional response to what I witnessed and I chose the equipment\, techniques and mode of presentation that best communicated my response to those stimuli. \nThis exhibition and the accompanying book tells the photographic story of my adventure.  – Steve Gosling \nAn evening with Steve Gosling at Art Bermondsey Project Space. Monday 27th November\, 18:30-21:00. \nTo coincide with Steve’s London exhibition and book launch\, there will be a private viewing before the official opening. During the evening Steve will give a short talk on some of the concepts and ideas behind his images to give you an exclusive insight into his photographic approach\, followed by a Q & A session. \nTicket Price: FREE\n  \n  \n  URL:https://project-space.london/event/coming-soon-beautiful-silence-exhibition-steve-gosling CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/11/Heavy-Rain_sml.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20171101T100000 DTEND;TZID=UTC:20171125T180000 DTSTAMP:20260607T073329 CREATED:20171017T085156Z LAST-MODIFIED:20190615T152208Z UID:4638-1509530400-1511632800@project-space.london SUMMARY:'Canada Now –  The Tip Of The Iceberg' DESCRIPTION:Canada Now – The Tip of the Iceberg\n  \nSonny Assu | Patrick Bérubé | Simon Bilodeau | James Nizam \nJannick Deslauriers |  Karine Giboulo | Guillaume Lachapelle |  Laurent Lamarche| Cal Lane \nMarie-Ève Levasseur| Nadia Myre | Karine Payette \n curated by Anaïs Castro \nDirector of Art Mûr Germany \n1-25 November 2017 \nArt Mûr celebrates its first year in Europe since opening a space in Germany in September 2016 through a two-part exhibition titled Canada Now presented at Canada House and Art Bermondsey Project Space in London. \nThe first part of the exhibition is titled Canada Now – Self-Abstractions and presents five Canadian artists to show on the theme of conceptual self-portraiture. The exhibition is on until 18 November 2017 in the gallery of Canada House in Trafalgar Square\, a prestigious neoclassical building designed by Robert Smirke\, the same architect responsible for the British Museum. On November 2\, The High Commission of Canada will host a panel discussion with Jannick Deslauriers\, Marie-Ève Levasseur and Nadia Myre and moderated by Habda Rashid\, Assistant Curator at the White Chapel Gallery. \nThe second part of the project is titled Canada Now – The Tip of the Iceberg and is comprised of works by 12 Canadian artists at Art Bermondsey Project Space\, one of London’s most dynamic contemporary art venues. This independent non-for-profit gallery is an initiative of State Magazine and Olympus. The space located transversely from the prestigious White Cube gallery offers a platform for innovative artistic practices over the three floors of a former 19th-century paper mill. The artists brought together for The Tip of the Iceberg play with perceptions to compel their viewers to devote a prolonged look or a second perspective in order to fully comprehend what is presented. Through a variety of mediums ranging from installation to video art and photography\, the exhibition testifies to the complexity of a world in constant flux and aims to disavow initial preconceptions while promoting prudent attention and critical examination. \nCanada Now aims to reflect the Canadian art landscape in its engagement with contemporary concerns through a variety of artistic productions. The two exhibitions represent a unique opportunity for Canadian artists to be showcased in one of the most important art capitals of the world. The two-part project will be covered through a publication that will be launched at the Délégation du Québec à Londres on November 3. \nCatalogue available \n  URL:https://project-space.london/event/coming-soon-canada-now-tip-iceberg-2 CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/10/Nizam_Shard_of_Light-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20171017T100000 DTEND;TZID=UTC:20171028T180000 DTSTAMP:20260607T073329 CREATED:20170908T103144Z LAST-MODIFIED:20190615T152208Z UID:6527-1508234400-1509213600@project-space.london SUMMARY:'Gibraltar As Seen by Five Artists' curated by Philippa Beale DESCRIPTION:Gibraltar As Seen By Five Artists \n\n\nPaul Cosquieri | Shane Dalmedo | Nina Danino | Carolina Santos Floriano | Karl Ullger \n\n\ncurated by Philippa Beale \n\n17-28 October 2017\nPhillippa Beale\, an English artist and curator\, has chosen Paul Cosquieri\, Shane Dalmedo\, Nina Danino\, Carolina Santos Floriano and Karl Ullger\, to showcase their work on Gibraltar. \nThe exhibition highlights the individual agendas of these five artists whose work\, when viewed collectively\, reveals a highly topical and polemical narrative towards the current political and economic situation in Gibraltar after the Brexit referendum. \nFor 300 years\, Gibraltar has guarded the Straits and loyally stuck to Britain. Culturally European and Llanito speaking\, what it means to be Gibraltarian is a curious phenomenon. The language is derived from Spanish\, influenced by Andalusian Spanish and English\, with an extended vocabulary taken from Genoese\, Hebrew\, Maltese and Portuguese. Gibraltarians call themselves Llanitos\, recognising the hybridity of their culture and language\, which in the spoken form involves peppering their language with English using a code – something only they can understand. \nThe current Socialist-Labour Government leads an entirely multi-cultural society. Gibraltar has now become a byword for tolerance\, as about a third of the population are either Jewish\, Muslim or Catholic. Unity and respect for the mores of each culture prevails. \nHere\, council flats are by the sea and the richer live up the Rock. The climate is tropical but the cultural events are Anglo-Saxon; comprising of theatre\, Book-Fairs\, Royal Academy exhibitions and a National Art Gallery showing the work of great Gibraltarians with Spanish and Italian names. It is a humane place to live\, where the government truly looks after its people; the epitome of ‘small is beautiful’ and as Solomon Levi\, the first Mayor of the Gibraltar\, says it is an\, ‘example to the world’. \n[row][one_col] \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n[/one_col][/row] \nPaul Cosquieri \nGrowing up in Gibraltar has been crucial in defining my painting style in more ways than one. Living in a closed frontier Gibraltar meant that one could not get away from the shadow of the omnipresent and imposing limestone Rock and its sheer physicality. \nCarolina Santos Floriano \nThe different perspectives offered by the landscape of the Campo de Gibraltar have always made me think about the peculiarity of this territory\, and it is precisely this reflection that has served as an inspiration for my last project. \nShane Dalmedo \nThe subject of my work is mostly I would say to be an exploration into the human condition; and toys\, dolls\, ornaments and objects are a very important part of my expressive language. I feel that these retain their own energy. They are keepers of stories and secrets and so they add their own language to mine when I use them in my work to form a new dialogue. \nKarl Ullger \nMy life is in Gibraltar\, where over 90 per cent of us voted to remain in Europe. For us living in a totally multi cultural\, multi religious society\, where we eat and drink and trade with Europe and Europeans all the time; the very idea of Brexit is perplexing. We do not understand why Britain our mentor and Alma Mater would want to leave and so my current work is all about this dilemma\, this schizophrenic situation in which we Gibraltarians find ourselves. \nNina Danino \nMany of my works draw from inter-subjective experiences\, cultural references\, geography and a sense of place. Gibraltar is an entry point to the local\, the regional and to the wider Mediterranean from where I can travel out as far out as I want. \nCatalogue Available \n  URL:https://project-space.london/event/gibraltar-see-five-artists-2 CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/09/Cover-Image.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20171003T110000 DTEND;TZID=UTC:20171014T180000 DTSTAMP:20260607T073329 CREATED:20170916T122720Z LAST-MODIFIED:20190615T152208Z UID:6528-1507028400-1508004000@project-space.london SUMMARY:'The Hemming and Marr Show' DESCRIPTION:The Hemming and Marr Show \nRecent Paintings  \n3-14 October 2017 \nAdrian Hemming on Andrew Marr \nI FIRST ENCOUNTERED Andrew (or rather I didn’t but used to observe him)\, rapt with attention\, painting on Primrose Hill and I knew that the last thing an artist wants in those situations is a twat like me interrupting him to say: ‘Hi\, you must be Andrew Marr’. A time and a place for everything. So\, finally I did meet him and he kindly invited me to his studio. It was a revelation. I could see and sense that it was the start of a serious\, momentous\, lifetime journey. I don’t mean the physical journey he has had to endure but I mean the journey that all artists undertake if they are truly going to call themselves artists. Yes\, it’s difficult\, of course the journey is obscure\, it’s about many\, many\, things. It’s about seeing inside one’s self and the world around us\, it’s not just surface detail. \nHe works in oil paint on canvas and board. His subjects are abstract motifs and shapes\, floating on highly coloured backgrounds. They gain their excitement and visual energy from the push and pull of object to colour\, each fighting for balance and/or dominance. However\, he doesn’t slavishly copy other artist’s; he wants to distil the imagery from his own sensibility and the world around him to create a truthful comment on himself. \nHe is pushing his own work so that the look and feel of the paint is a big part of the message. It has to be sensuous. It has to be alive. There is a sense that the painting process is almost like being in psychoanalysis\, there are deep layers of unconsciousness that you constantly try to understand it’s both deeply satisfying and deeply disturbing at the same time. \n  \nAndrew Marr on Adrian Hemming \nPAINTING IS\, necessarily\, a solitary occupation. Everything that matters most about it takes place silently\, in the brain of the painter. In the studio\, when the hard work is being done\, the silence is absolute. And yet every painter needs to talk – needs help\, needs criticism\, needs a frank and knowing friendship. So\, when I began to try to paint seriously\, after I had suffered a stroke\, Adrian Hemming’s friendship was both wonderful luck and a lifeline. He comes into the studio\, raises a quizzical eyebrow\, perhaps shakes his head about something that had pleased me\, and quietly\, gently\, suggests other directions I might follow. \nI always call Adrian\, with a slight note of jealousy in my voice\, ‘a proper painter’. Unlike me\, he has gone through a full and rigorous training. He has devoted his entire life since teenage hood\, to mastering pigment and surface\, design and meaning. And\, by God\, it shows! \n  \nAlthough when we talk we mainly talk about the craft and physicality of painting – about pigments\, bristles\, different oils and glazes – Adrian Hemming is a philosophical painter\, much concerned with myth\, the environment and the nature of perception. Above all he is trying to answer the most difficult and important question painters’ face\, which is simply: ‘what should fresh painting look like in 2017?’ \nWhen I am painting badly\, I drive myself into a rage. But when I am painting well\, I feel full of delight. A big part of that delight has come about thanks to the calm\, wise friendship\, and peaceable advice given to me by Adrian Hemming. A lesser man would have tried to encourage me to paint just is like him: Adrian has helped me to paint like me\, only better – a much harder task. As you observe these pictures\, I hope you see the story of an artistic friendship too. \n  \nExcerpts from the exhibition catalogue. URL:https://project-space.london/event/hemming-marr-show-2 LOCATION:Gallery 1 + 2\, 183-185 Bermondsey Street\, London\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/09/Hemming-and-Marr-res.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170919T110000 DTEND;TZID=UTC:20170923T180000 DTSTAMP:20260607T073329 CREATED:20170907T152236Z LAST-MODIFIED:20170907T152236Z UID:6526-1505818800-1506189600@project-space.london SUMMARY:Dafydd Jones 'A Weekend in Washington - January 2017' DESCRIPTION:Dafydd Jones  \nA Weekend in Washington – January 2017 \n19-23 September 2017\n  \nI travelled to Washington for the weekend of the Trump Inauguration. -What was later called the inauguration that wasn’t. \nEverywhere there were protestors. Protestors intermingled with the supporters. -It was impossilbe for Trump supporters not to notice the protestors. Lone people holding signs and large groups. Some entrances were impassable for demonstrators although there were Trump supporters queuing next to demonstrators. Many people had come from all over the country to demonstrate. One elderley couple one with a zimmer frame had travelled from San Francisco. – Along with all the people who were working in some capacity or other they padded out the numbers. The guys selling Trump flags didn’t seem to be doing very well. Only ponchos were selling as it was raining slightly… There was a subdued almost miserable atmosphere. One religious group holding banners were just about the most unpleasant people I saw. \nThe next day If the crowds in the subway were anything to go by\, there were 3 times as many on the womens march. It was moving and inspiring because of the protestors. On the flight back to London I was sitting next to a mother and her daughters who had travelled from London for the women’s march. \nThe pictures are more about the mood of Americans. I’ve been experimenting with doing traditional silver gelatin darkroom prints of my digital pictures which will be exhibited.. Because I lose some detail in the process the black and white silver gelatin prints have a rough directness. \n[row][one_col] \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n[/one_col][/row] URL:https://project-space.london/event/dafydd-jones-weekend-washington-january-2017-2 CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/09/17fri29543was-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170905T110000 DTEND;TZID=UTC:20170916T180000 DTSTAMP:20260607T073329 CREATED:20170907T143616Z LAST-MODIFIED:20170907T143616Z UID:6525-1504609200-1505584800@project-space.london SUMMARY:Chris Floyd 'You Rise\, Then You're Gone' DESCRIPTION:You Rise\, Then You’re Gone \n\n  \n\nThe Verve: Photographs by Chris Floyd \n\n\n5-16 September 2017 \n\nIt has been two decades since the colossal success of The Verve’s era-defining Urban Hymns\, and it remains one of the biggest selling British albums of all time. You Rise\, Then You’re Gone is an exhibition by the photographer Chris Floyd who was embedded with the band in late 1996 and 1997\, following an initial assignment in 1994. He documented the recording\, touring and promoting of the album in the UK\, Ireland and the USA – the only photographer to have such access. When Chris Floyd met The Verve in 1994\, they were playing to crowds of a hundred. A mere four years later\, they sold out a 33\,000 gig at Haigh Hall in their hometown of Wigan. The majority of these photographs have never been seen before. \nThis body of work is a celebration of a band that\, momentarily\, looked like they were set to become one of the biggest rock and roll bands in the world. As Floyd reflects: “For a while it felt like being at the centre of the universe. . . . We were in a brief golden era\, when it looked like the world was unshackling itself and beginning to develop a more advanced and progressive attitude. We seemed to be in a decade that had taken a holiday from history. I am grateful and thankful that I got to live out my twenties in such a fertile\, peaceful and creative period.” His images take us  back to a time before the explosion of the internet\, smartphones and social media. \nIn celebration of the 20th anniversary of Urban Hymns\, Chris Floyd is presenting his photographs in this exhibition alongside a book entitled The Verve: Photographs by Chris Floyd (the first time his photographs of that era to be published). \nUrban Hymns was The Verve’s third album; it was released by HUT Records on 29 September 1997\, and featured hits\, ‘The Drugs Don’t Work’\, ‘Lucky Man’\, and ‘Bittersweet Symphony’ – the song that won the band a Grammy Award nomination for Best Rock Song. The Verve won two Brit Awards in 1998\, including one for Best British Group\, and were twice on the cover of Rolling Stone magazine. \nThe exhibition and book release coincide with the release in September 2017 of new Super Deluxe versions of Urban Hymns on 5CD / DVD and 3 double-vinyl (6LP) box set editions. Both sets contain rare and unreleased recordings. \nChris Floyd is a British photographer and filmmaker. His photographic work has appeared in publications including Vogue\, Vanity Fair\, The New Yorker\, Harper’s Bazaar\, GQ\, Esquire\, The New York Times Magazine\, The Sunday Times Magazine and Wallpaper* among others. He has shot advertising campaigns for Apple\, British Airways\, Sony and Philips and has been selected several times for the National Portrait Gallery’s Taylor Wessing Portrait Prize and the annual publication American Photography. Chris’s attention to the subtleties of mood\, texture\, emotion\, light and colour is what binds his aesthetic and attitude into a coherent and unique style. In a career that has spanned over 20 years\, he believes that the most important aspect of his working method is his ability to establish a level of collaboration and ease with his subject that allows him to engender intimacy and empathy within the frame. \nArt Bermondsey Project Space  \nA non-profit independent gallery sponsored by Olympus\, part of a Cultural Initiative Programme in association with State Magazine. The Project Space provides a platform for fresh ideas in visual arts and embracing artists from all cultures. Three gallery spaces\, three floors\, across three thousand square feet of a former 19th Century paper manufacturers with a dedicated video-screening suite – the Art Bermondsey Project Space is one of London’s most dynamic contemporary art spaces. \nMSGM Founded by Massimo Giorgetti in 2009\, MSGM is all about colour\, youth and energy. Until early this year\, Massimo was also creative director of Emilio Pucci. One of MSGM’s collection was a collaboration with artist Maurizio Cattelan and photographer Pierpaolo Ferrari ’s art magazine Toilet Paper. \nSTINK is a global network working with clients across advertising\, entertainment\, music and the arts. They create film\, interactive and original content\, focusing on quality and smart production. \nReel Art Press R|A|P stands for exceptional style and a unique curatorial eye. It stands for luxury and class\, the highest production values\, and a sensitivity to an eclectic selection of subject matter and material. It stands for rare\, unpublished and unusual work including subjects with mass appeal and limited editions with unlimited potential. The company has made headlines around the world with its previous releases\, which include: Disco: The Bill Bernstein Photographs\, The 2001 File\, Unseen McQueen\, Billy Name: The Silver Age and Jim Marshall: Jazz Festival. \n  \nPlaces available for:\nChris Floyd in conversation with Ben Smith \n14 September 6.30pm \nArt Bermondsey Project Space \nBook here \n  URL:https://project-space.london/event/chris-floyd-rise-youre-gone-2 CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/09/res_LuckyManNYV_5017_0209_RT-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170808T110000 DTEND;TZID=UTC:20170812T180000 DTSTAMP:20260607T073329 CREATED:20170725T100207Z LAST-MODIFIED:20170725T100207Z UID:6524-1502190000-1502560800@project-space.london SUMMARY:Martina Govindraj - Travelling Light – Wander More DESCRIPTION:TRAVELLING LIGHT – WANDER MORE\nDrawn to geometric architecture and the often ignored design that surrounds everyday life\, OLYMPUS Ambassador Martina Govindraj aims to use her latest exhibition\, Travelling Light – Wander More to explore the idea of isolation and our connection to mobile technology in densely populated urban spaces. \nThis unique exhibition consists of a selection of stunning architecturally-focused shots\, all captured on the bustling streets of Shanghai. In preparation for her trip\, Martina packed her E-M1 Mark II and 2 lenses. She challenged herself to travel with as little camera gear as possible with the intention of blending in and becoming invisible while shooting in one of the busiest cities in the world. \nMartina (also known as @YesZebra) is a self taught photographer. Photography became a major part of her life following the purchase of her first SLR camera from a second hand shop at age 16. Having invested heavily over the years in DSLR equipment but simply fed up of her cumbersome camera gear\, she decided to switch to a Micro Four Thirds camera in 2015 and never looked back. URL:https://project-space.london/event/4577-2 LOCATION:Gallery 1\, 183 - 185 Bermondsey Street\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/png:https://project-space.london/wp-content/uploads/2017/07/Screen-Shot-2017-07-25-at-11.59.02.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170725T110000 DTEND;TZID=UTC:20170805T180000 DTSTAMP:20260607T073329 CREATED:20170616T151746Z LAST-MODIFIED:20190615T152209Z UID:6521-1500980400-1501956000@project-space.london SUMMARY:Anything Goes? | Contemporary British Painting DESCRIPTION:Anything Goes?  \n\n\nContemporary British Painting \n\n\nAn Exhibition of Works by Members of Contemporary British Painting \n\n\n Selected by Anna McNay \n\n\n\n25 July – 5 August 2017 \n\nDespite\, and perhaps because of\, the global\, mass and social medial world in which it exists\, contemporary British painting is and remains something complexly personal\, defined as much by its breadth and multiple individualities as by any pervading style or theory. This exhibition\, drawn from the work of members of the Contemporary British Painting group\, does not seek to define what might well be an undefinable beast. In part an open call salon and in part curated according to the tastes of art writer and editor Anna McNay\, it brings together a variety of works to combat the all too pervasive false transmission of painting as reproduction (be it printed or digital) and to put paintings as objects in and of themselves out there to be experienced by the public. The mixture of figurative and abstract (and everything in between)\, mixed media\, mixed scale\, textured versus smooth and flat\, representational versus whimsically imagined\, is a result both of the members’ varied outputs and McNay’s own eclectic taste. Is it a case of anything goes? Almost certainly not\, but perhaps only time – and hindsight – will tell. While common themes and methods can of course be noted\, those that will persist – and survive – in 30 years’ time might only be guessed at. For now\, this is painting as a living example of the real in a time of the unreal. \nArtists include: Day Bowman\, Marco Cali\, Ruth Calland\, Simon Carter\, Lucy Cox\, Andrew Crane\, Pen Dalton\, Lisa Denyer\, Annabel Dover\, Natalie Dowse\, Fiona Eastwood\, Wendy Elia\, Terry Greene\, Susan Gunn\, Susie Hamilton\, Alex Hanna\, Marguerite Horner\, Barbara Howey\, Phil Illingworth\, Sue Kennington\, Matthew Krishanu\, Andrew Litten\, Cathy Lomax\, Paula MacArthur\, Enzo Marra\, Nick Middleton\, Paul Newman\, Stephen Newton\, Gideon Pain\, Mandy Payne\, Ruth Philo\, Freya Purdue\, James Quin\, Katherine Russell\, Wendy Saunders\, Ehryn Torrell\, Judith Tucker\, Sean Williams \nAbout Contemporary British Painting: \nContemporary British Painting is an invitation-only\, artist-led organisation\, which explores and promotes current trends in British painting through group exhibitions\, talks\, publications and the donation of paintings to art museums. \nTwitter: @paintbritain \nAbout Anna McNay: \nAnna McNay is an art writer and editor based in London. She is Assistant Editor of Art Quarterly and former Deputy Editor of StateF22 magazine. \nTwitter: @annamcnay \nAbout Art Bermondsey Project Space  \nA non-profit independent gallery sponsored by Olympus\, part of a Cultural Initiative Programme in association with State Magazine. The Project Space provides a platform for fresh ideas in visual arts and embracing artists from all cultures. Three gallery spaces\, three floors\, across three thousand square feet of a former 19th Century paper manufacturers with a dedicated video-screening suite – the Art Bermondsey Project Space is one of London’s most dynamic contemporary art spaces. \n  URL:https://project-space.london/event/anything-goes-contemporary-british-painting-2 LOCATION:Gallery 1\, 183 - 185 Bermondsey Street\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/06/CBP-lead-composite-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170712T080000 DTEND;TZID=UTC:20170712T170000 DTSTAMP:20260607T073329 CREATED:20170712T124939Z LAST-MODIFIED:20170712T124939Z UID:6523-1499846400-1499878800@project-space.london SUMMARY:Turps Studio Painters 2015-2017 DESCRIPTION:A show of recent works by painters who have been on the Turps Studio Programme during 2015-17 and will be leaving the studios this Summer. \n\n\n\n\n\n\n\nAbout\nTurps Studio Programme is a one year mentoring programme with the option to say for a second year\, based at Turps Studios in South East London. \n\nUniquely painters work together in open studios exchanging ideas with each other and a comprehensive team of painters who visit across the year as well as a dedicated team of mentors. \nDuring 2015-17 the mentors are: Dan Coombs \, Andrea Medjesi – Jones\, Anne Ryan and Neal Tait. \nThe programme is led by Marcus Harvey and Phil Allen \nPainters: \nKatie Brookes \nMaj-Gret Gaupas \nAthene Greig \nStephanie Maeseele \nScott Mccracken \nAnna Mcneil \nTim Ralston \nAnna Jung Seo \nMel Scott \nJenny Smith \nRhys Trussler \n  URL:https://project-space.london/event/anything-goes-turps-banana-painters-2 CATEGORIES:Events END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170704T110000 DTEND;TZID=UTC:20170708T180000 DTSTAMP:20260607T073329 CREATED:20170524T090348Z LAST-MODIFIED:20170524T090348Z UID:6519-1499166000-1499536800@project-space.london SUMMARY:Jasper Wilkins 'Gorkha: in focus' DESCRIPTION:Gorkha: in focus \n\n\nDocumenting livelihoods in a changing climate by Jasper Wilkins \n \nGorkha is based west of Kathmandu\, Nepal and was the epicentre of the 2015 earthquake killing nearly 9000 people and destroying thousands of houses and businesses. This project explores stories of hope in a rural community located in Gorkha and demonstrates the importance of environmental awareness through exploring individual stories of how climate change effects rural communities. \n  \nJasper Wilkins\, Olympus Ambassador and documentary photographer is passionate about culture\, nature and communication and has recently spent three months working as a team leader in 2017 within Khadka Gaun\, Gorkha\, focusing on income generating projects for Raleigh International and was inspired by the generosity\, kindness and integrity of the people he encountered in this beautiful place. In 2016\, Jasper created an environmental organisation called ‘In Focus’ that provides creative content for companies and NGO’s focusing on environmental sustainability. In collaboration with Olympus UK\, Jasper will be hosting an exhibition at the Art Bermondsey Project Space\, London (04/07/2017 – 08/07/2017) alongside a book that will be distributed Internationally. These insightful and interesting stories demonstrate hope\, beauty and determination in a changing environment\, showing the importance of worldwide sustainability. \n  \n“People have to adapt to anything and when there is a problem\, there is a solution.” \n – Dhan Bhadur Parivar\, 2017 \n  \n“I was once told ‘Don’t put off until tomorrow what you can do today.’ And it stuck with me\, the time for environmental protection is now and it is needed more than ever. One day we may observe a world that we created; with limited wildlife and water\, flooding cities and we will ask ‘What happened’?” \n – Jasper Wilkins \nwww.olympus-imagespace.co.uk \n[row][one_col] \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n[/one_col][/row] URL:https://project-space.london/event/jasper-wilkins-gorkha-in-focus-2 LOCATION:Gallery 1\, 183 - 185 Bermondsey Street\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/png:https://project-space.london/wp-content/uploads/2017/05/jasper.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170627T110000 DTEND;TZID=UTC:20170708T180000 DTSTAMP:20260607T073329 CREATED:20170607T125845Z LAST-MODIFIED:20170607T125845Z UID:6520-1498561200-1499536800@project-space.london SUMMARY:Marilyn Stafford | Stories in Pictures 1950 - 1960 DESCRIPTION:Lucy Bell Fine Art Presents\nMarilyn Stafford\nStories in Pictures\n1950-1960\n“I have always been fond of stories\, listening to them\, telling them\, performing them\, singing them. One way or another my life has been that of an observer and story teller” \nPhoto-journalist Marilyn Stafford\, who now lives in West Sussex\, was born in Cleveland Ohio\, in 1925. She originally trained as an actress\, at the age of 7 she was scouted to train at the Cleveland Play House Theatre\, along with big names like Paul Newman. She then studied drama at university and went to New York to act\, finding work off Broadway and in television. \nHer photographic career began in New York in 1948 when she was asked to photograph Albert Einstein for friends who were making a documentary about him. \n“The director gave me a camera and said you are going to be the photographer. I said I didn’t know how to take pictures. I had only taken them on a Brownie. So\, in the car from New York to New Jersey\, I learned how to use it.” \nThis single experience set her on her future path. She went on to assist Francesco Scavullo\, a controversial fashion photographer whose work has been published widely including in Vogue and Cosmopolitan \n“I was not really interested in that kind of photography\, but that was where you could earn a living as a woman. I was interested in telling stories in pictures and showing the world to people as I saw it\, maybe to make them see something and then act on it or enjoy it.” \nIn December 1948 Marilyn moved to Paris briefly singing with an ensemble at Chez Carrère near the Champs Elysees\, and photographing for a Fashion PR Company. At the club she met Edith Piaf and also became friends with Robert Capa and during this period she was also introduced by her life-long friend the Indian writer Mulk Raj Anand to Henri Cartier-Bresson who encouraged her photographic career. \n“I often went out photographing with Cartier-Bresson – the time I photographed him\, was at a household and appliance exhibition at the Grand Palais” \nMarilyn photographed the neighbourhoods of the Bastille and Boulogne-Billancourt and her images of children from Cité Lesage-Bullourde near the Place de la Bastille are a very rare insight into the street children living in one of the city’s notorious slums. Demolished in 1984\, it is now the site of the Paris Opera Bastille. Some of the negatives have been lost\, but thanks to modern technology Robin Bell the renowned darkroom printer has created new negs and printed these historically important images for the first time in 67 years\, creating an edition of silver gelatin prints. \n“I did these pictures long before I met Cartier-Bresson\, I never showed them to him as I was very shy\, but I felt honoured that he let me tag along\, it was only after taking the Algerian pictures that I prevailed on him to help me select the pictures\, that I would then send over to the Observer. These became the first front page pictures I had published” \nIn 1958 Marilyn Stafford travelled to Tunisia to document the Algerian refugees fleeing France’s ‘Scorched Earth’ attacks. Marilyn was 5 months pregnant when she took these pictures. \n“It was harrowing and as far as I am concerned\, the picture I loved most is of a refugee mother holding this poor little infant. That image meant more than anything else. I wanted to do a story about the refugees\, I believe that documentary work should raise social issues\, and was very happy when other photographers and journalists were commissioned to go out and record the situation\, as I had brought the issue to wider attention” \nThe exhibition also features Marilyn’s pioneering photographs\, where\, for the first time\, she took models out of the studio and chic salons into the streets of Paris\, using a photo-documentary style to her fashion shots. In the mid-sixties Marilyn Stafford settled in London\, where\, along with Fay Godwin\, Sally Soames\, and Jane Bown \, she helped pave the way for future female photographers working on Fleet Street. Marilyn Staffords commitment to supporting female documentary photographers continues today with the launch of the Marilyn Stafford FotoReportage Award Launched in Spring 2017 in Association with FotoDocument. \nRobin Bell who has printed for many of the world’s top photographers and archives\, including Bill Brandt\, Norman Parkinson\, Ernst Haas and David Bailey says of the work \n“I often feel lucky to be doing the thing that I do and sometimes I get double lucky; this is one of those occasions. Lucy and Marilyn invited me to curate and print approximately 40 images\, some of the chosen images no longer have negs\, but thanks to a combination of new and old technology\, modern silver gelatin prints have been made. Marilyn’s pictures have warmth\, perception\, humour and technical skill and do the trick that all good photos do\, which is transport one to another world and time\, evoking nostalgia\, surprise \,empathy and wonder in equal measure.” URL:https://project-space.london/event/marilyn-stafford-stories-in-pictures-1950-1960-2 LOCATION:Gallery 2\, 183 - 185 Bermondsey Street\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/06/CITE-LESAGE-PARIS-1950-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170613T110000 DTEND;TZID=UTC:20170623T180000 DTSTAMP:20260607T073329 CREATED:20170518T154321Z LAST-MODIFIED:20170518T154321Z UID:6518-1497351600-1498240800@project-space.london SUMMARY:The Douglas Brothers | SEE - SAW DESCRIPTION:The Douglas Brothers \nSEE/SAW \nThe collaborative accomplishments of double visionaries \n13-24 JUNE \n\n\n\nLOST ICONS TO GO ON EXHIBITION THIS SUMMER \nRecovered historical portraits of leading British cultural figures – including Dame Judi Dench\, Daniel-Day Lewis\, Damon Albarn\, Kenneth Branagh\, Ronnie Wood and Morrissey – will be exhibited in London in June. \nThe photographs\, taken by The Douglas Brothers\, were lost for over 20 years. Some have never been seen before. They will go on show for the first time this summer. \nThe Douglas Brothers – real-life siblings Stuart and Andrew – spent a decade photograph leading figures from the worlds of art\, literature\, film\, music\, sport and fashion. \nThe Douglas Brothers signature style is considered highly influential. Sabina Gaskot-Gill from the National Portrait Gallery described it as “work that shaped the course of photography for a decade.” \nAfter the brothers left the UK to make films\, their stills work sat gathering dust for two decades in a disused storage unit and came very close to being lost forever. \nThe Douglas Brothers distinctive image making extended beyond portraiture and into abstract\, collage\, still-life\, reportage\, nudes and fashion. \nPhotos spanning the entire spectrum of this remarkable body of work will go on show at Art Bermondsey Project Space in London on June 15th in a show entitled SEE/SAW. \n\n\n\n\n\n\n  \n[row][one_col] \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n[/one_col][/row] URL:https://project-space.london/event/douglas-brothers-see-saw-2-2 LOCATION:Gallery 1 + 2\, 183-185 Bermondsey Street\, London\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/05/DouglasBrothersEflyer.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170517T110000 DTEND;TZID=UTC:20170610T180000 DTSTAMP:20260607T073329 CREATED:20170405T152303Z LAST-MODIFIED:20190615T152209Z UID:4512-1495018800-1497117600@project-space.london SUMMARY:Camera Press at 70 - A Lifetime in Pictures DESCRIPTION:Camera Press at 70 – A Lifetime in Pictures \nCurated by Emma Blau \nInternationally renowned photographic agency Camera Press celebrates its 70th anniversary this year with a special exhibition entitled ‘Camera Press at 70 – A Lifetime in Pictures’ which will coincide with Photo London 2017. Drawing on an unparalleled collection of images\, and featuring work by some of the most iconic figures in the industry\, this exhibition offers a fascinating insight into photography from the 1940s to the present day. \nOn display will be the work of photographic legends such as Yousuf Karsh\, who was the first photographer signed to the agency\, Cecil Beaton\, Baron and Jane Bown through to contemporary names that include John Swannell\, Jason Bell\, Jillian Edelstein\, Chris Floyd and Laura Pannack. \nCamera Press was founded in London in 1947\, the same year that the young Princess Elizabeth wed Prince Philip. The very first photographs distributed by the agency were of the wedding of the future Queen and the link to official royal photography has continued to the present day: special portraits of Princess Diana\, The Queen’s Jubilee and the christening of Prince George will all feature in the show. \nThe British Academy of Film and Television Arts (BAFTA) is also celebrating its 70th anniversary this year and Camera Press is proud to represent their exclusive portrait portfolio; a selection of these stunning images will shine a light on leading actors from the worlds of TV and film. \nThe exhibition will also include photographs by three generations of the Blau Family: founder Tom Blau\, his son Jon and granddaughter Emma. \n\n\n\n\nEstrellita Karsh: In 1947 Tom Blau invited Yousuf to be Camera Press’ first contributing photographer; at that time both were on the threshold of ever greater careers: Karsh as the photographer of the great men and women of the 20th Century and Tom Blau as the head of the prestigious photo agency; over the years both grew together in friendship and in achievement. Today\, though my husband and Tom are no longer with us\, that bond has strengthened\, and the warmth and dedication my husband witnessed in the new agency all those years ago continues to flourish thanks to Camera Press’ expert and loyal staff\, and Tom Blau’s family. I could not hope for any better custodians of the Karsh legacy and I wish them every success for the future. \nEmma Blau: Celebrating our 70th anniversary is a real milestone: Camera Press remains not only family owned but also one of the last independent photographic agencies in existence. We are indebted to the photographers whose work Camera Press has represented over the past seven decades; it is they who are ultimately responsible for our continued success in the photographic industry. Their exceptional images\, both past and present\, which are showcased in this exhibition have played a significant part in shaping the history of photography. Camera Press is very proud of our role in contributing to the landscape of modern and contemporary photography since being founded by my grandfather Tom Blau in 1947. \nExhibition Info \nThe photographs in this exhibition reveal the changing trends in portrait photography as well as the evolution of the role of celebrities and distinguished public figures over the last 70 years. \nThe more formal studio portraits of the 1940s such as Karsh’s iconic bulldog shot of Winston Churchill are followed by 1950s Hollywood glamour epitomized by stars such as Marilyn Monroe. The swinging Sixties heralds the influence of a more relaxed\, intimate\, documentry-style of photography\, as seen in Jacques Lowe’s seminal photographs of JFK and the work of one of the world’s first paparazzi\, Elio Sorci. This is then contrasted with the gritty social-realism of punk and the arrival of Margaret Thatcher in the 1970s. \nWhilst the flamboyant 80s saw pop superstars take centre stage with the birth of MTV-culture; the 90s was the decade of cool Britannia\, of Brit Pop heroes Oasis and Blur and the rise of supermodels and ‘It Girls’. Noughties images of British icons Amy Winehouse\, and Dames Judi Dench and Helen Mirren round off the exhibition in tandem with many of the biggest names in sport\, entertainment and fashion. \nContextualizing this impressive collection of portraiture are arresting social documentary images from Camera Press’ archives\, as well as a fascinating visual exploration of fashion through the decades. \nAbout Camera Press\nCamera Press was founded in London in 1947 by Tom Blau\, a Jewish Hungarian photographer and reporter born in Berlin and exiled from Nazi Germany in 1935. It is one of the world’s leading independent picture agencies with a long and distinguished history. The agency represents the work of iconic photographers as well as modern masters. Its archive covers portraiture\, past and present\, news and entertainment\, as well as music and fashion. \nAbout BAFTA\nThe British Academy of Film and Television Arts is an independent charity that supports\, develops and promotes the art forms of the moving image by identifying and rewarding excellence\, inspiring practitioners and benefiting the public.\nBAFTA has been building a collection of bespoke portraiture and reportage photography since 2007\, working with leading international photographers to produce some of the finest images of talent working in the moving image industries and to document their world-renowned Awards ceremonies\nIn addition to its Awards ceremonies\, BAFTA has a year-round programme of learning events and initiatives – featuring workshops\, masterclasses\, scholarships\, lectures and mentoring schemes – in the UK\, USA and Asia; it offers unique access to the world’s most inspiring talent and connects with a global audience of all ages and backgrounds. BAFTA relies on income from membership subscriptions\, individual donations\, trusts\, foundations and corporate partnerships to support its ongoing outreach work. To access the best creative minds in film\, television and games production. \nAbout Art Bermondsey Project Space\nA non-profit independent gallery sponsored by Olympus. The exhibition is part of their Cultural Initiative Programme\, in association with State Magazine\, providing a platform for fresh ideas in the visual arts and embracing artists from all cultures. Three gallery spaces\, three floors\, across three thousand square feet of a former 19th Century paper manufacturers with a dedicated video screening suite – Art Bermondsey Project Space is one of London’s most dynamic non- profit art spaces. \nFOR FURTHER INFORMATION PLEASE CONTACT:\nART BERMONDSEY PROJECT SPACE:\nSerenella Martufi | sm@project-space.london | +44 (0) 203 441 5152\nINTERVIEW REQUESTS:\nJacqui Wald | j.wald@camerapress.com | +44 (0)20 7940 9123 URL:https://project-space.london/event/camera-press-at-70-a-lifetime-in-pictures LOCATION:Gallery 1 + 2\, 183-185 Bermondsey Street\, London\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/04/CP_Karsh_revised-credit_web.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170421T110000 DTEND;TZID=UTC:20170514T180000 DTSTAMP:20260607T073329 CREATED:20170415T145502Z LAST-MODIFIED:20180829T144140Z UID:4516-1492772400-1494784800@project-space.london SUMMARY:UAL | Arts SU | XHIBIT 2017 DESCRIPTION:Xhibit 2017 \n\nRun by Arts SU\, Xhibit 2017 is open to all students\, studying at any level\, across all disciplines. Opening on 21 April Xhibit will feature 32 artists from across all of UAL’s six world-leading colleges.\nThe largest provider of talent into the creative industries\, UAL was recently ranked number 6 in the world for art and design. Xhibit 2017 will provide a snapshot of just some of the talent that has helped affirm UAL as a world leader in creative education.\nFrom a mixed media installation exploring the lack of individualism across social media\, to photography questioning ethical eating\, and illustration demonstrating the way modern women’s bodies are portrayed – each artist has been hand selected by an expert panel of artists\, curators and creative industry professionals.\n  \nJoining the judging panel is UAL Chancellor and Turner Prize winner\, Grayson Perry\, who describes this year’s Xhibit collection as: \n“Stylish. A lot of the work has real panache. It’s good to see that young people still surprise you and do stuff that you might want to look at again. I was looking for artists who showed dedication\, application and skill. And for those that had visual poetry. \nPeople need to come to Xhibit to take the temperature of where young people are at. That’s what I’m interested in – for my own selfish purposes! I’m curious about what’s going on in the young collective mind.” \n\n  \nTo celebrate its 20th anniversary\, Xhibit is also proud to have partnered with leading digital media company\, Refinery29. Global executive creative director and co-founder\, Piera Gelardi will award one UAL Xhibit artist with the R29 Vision Award\, intended to celebrate diversity and original thought.\n The R29 Vision Award winner will be specially selected to work on an exclusive project in collaboration with Refinery29.\nAll Xhibit artists will be recorded as future suppliers for Refinery29; offered a supporting professional development workshop programme run by Arts SU and will each receive a year’s membership to the V&A.\n[row][one_col] \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n[/one_col][/row] \n  \nThis years Xhibit judging panel\, comprises of:\n\n\nGrayson Perry – UAL Chancellor\, Turner Prize-winning artist\, CBE RA\nDr David Dibosa – Course Leader\, MA Curating & Collections\, Chelsea College of Arts\, UAL\,\nBBC’s Big Painting Challenge judge\nKate Goodwin – Head of Architecture and Drue Heinz Curator\, Royal Academy of Arts\nEamonn Maxwell – Independent Curator & Arts SU President 1999-2000\nMike von Joel – Editor in Chief\, STATE/f22\nLeah Kahn – Activities Officer\, Arts SU\n\n\nXhibit 2017 artists are:\nMoe Elhossieny Ahmed | Caitlin Akers | Olga B | Bob Bicknell-Knight | Marlene Binder | Anke Buchmann | Edoardo Buttinelli | India Copley | Maryana Dmitrusenko | Mae Eade | Jorge Alejandro Escobar |Clarisse Hassan | Stella Kapezanou | Youngmi Kim | Lukas Kratochvil | Charlie Lang | Xiao Lin | Jamie Francis Measure-Hughes | Harriette Meynell | Ralph Overill | Nikolaos Panagiotopoulos |Marco Pantaleoni | Rebecca Perrone | Katarina Rankovic | Jade Rowing | Nora Schmel | Jojo Taylor |Veronica Toppino | Zhou Wang | Congcong Wu | Pearline Yeo | Lena Yokoyama\n  \nEvent details: Xhibit 2017\n21st April – 14th May 2017\nArt Bermondsey Project Space\n183-185 Bermondsey Street\nLondon SE1 3UW\n Art Bermondsey Project Space is thrilled to be housing Xhibit 2017 in continuation of its proud working relationship with ArtsSU. URL:https://project-space.london/event/xhibit2017 LOCATION:Gallery 1 + 2\, 183-185 Bermondsey Street\, London\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/04/Lukas_Kratochvil2-revised.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170328T110000 DTEND;TZID=UTC:20170415T160000 DTSTAMP:20260607T073329 CREATED:20170321T133109Z LAST-MODIFIED:20180829T144140Z UID:4490-1490698800-1492272000@project-space.london SUMMARY:Tony McGee " Within A Split Second" DESCRIPTION:Tony McGee \n\n\nWithin A Split Second  \n\n\n28 March – 15 April \n\n\nBoxing is music? Ballet is music? \nBoxing and ballet are photogenic\, that there is no argument. \nC’mon then get in to the ring of life\, stand toe to toe with your own humility and then dance inside the shadows of your opponents fears. Bowie\, Muhammed Ali\, Michael Jackson\, Rocky Marciano\, Mayweather and Sugar Ray Robinson etc\, they all possessed this beautiful “movement” and technique that has fascinated me for all of my photographic life. \nSpeeding bullets\, racing cars\, horses\, airplanes\, anything that moves fast; these are the things that I want to photograph. “Caught” in the apex of their movement\, “Within A Split Second” that is the order of things here and then there is “Ballet”. \nBallet? I hear you say. \nYes\, indeed. No wires\, no CGI just sheer perfect talent moving on stage\, keep up with it if you can? Quick feet\, you’ll need them\, hearts beating so fast\, and strong hands! \nMe? I run to the arena on the night of the boxing event\, all out of breath (carrying all of my camera gear) I park up early at ringside soaking up the atmosphere. All of the camera’s now ready\, the matches start early and the novices are on 1st\, all of this is leading to the main event of the evening and then suddenly the big guys are in the ring and the dance begins. \n“Defend yourself at all times” shouts the referee as the boxers swerve and sway probably inside the most important 3 minutes of their lives… \nRound 7 is now tiring. \nMistakes are made\, body shots hurt now\, breathing patterns have changed and the real challenge now begins! \n“Stay off the ropes” “Watch his head” \n“Don’t take the fight to him” “Let him come and find you” \nHis corner\, men are screaming now! Ronald’s puffing and spitting\, Billy knows it and he can sense the knockout coming soon. This ups his game and he takes chances\, suddenly Ronald is on him with a combination of stinging punches… Billy is out! \n“Within A Split Second” the fight is over and Ronald’s men invade the ring to cheer and lift their man. \n  \nTony McGee \nBorn 1954\, London. \nWent to school at St. Thomas More in Chelsea\, raised by Scottish/Irish parents in Milbank\, Westminster. \nFather was a strong influence and mother was a loving soul. Growing up was a wonderful thing during the 60’s in London\, everything was changing and Muhammed Ali and Sonny Listen were on the black and white tv regularly. \nStyle\, fashion and music played an important role in my life and my father bought me my first camera in 1968. Our dad\, ‘ginger’ (the major) took me along to Pinewood Studios in 1969 when I was 14 years of age and put me to work in the dark room. \nI learnt quickly and after two years left to create my own portfolio of photographs\, fashion photography was my choice and music too. I loved the work and the job was fun\, so I became very successful quickly. In 1975\, life exploded\, I got married and started working for Vogue Worldwide\, Sony Music\, Life Magazine and Rolling Stone Magazine among many others. I built my first studio in London in 1977 in Covent Garden and boxing was something that I always loved to photograph. \nI live in London\, we have two sons Jack and Maximilian and I am married to my teenage girlfriend Sandy. \n  \nCatalogue available URL:https://project-space.london/event/tony-mcgee-within-a-split-second LOCATION:Gallery 1\, 183 - 185 Bermondsey Street\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/03/P9O63611.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170321T110000 DTEND;TZID=UTC:20170408T180000 DTSTAMP:20260607T073329 CREATED:20170322T134122Z LAST-MODIFIED:20190615T152209Z UID:4497-1490094000-1491674400@project-space.london SUMMARY:Bermondsey Shorts - A Weekly Programme of Artists Videos DESCRIPTION:Bermondsey Shorts is a regular programme of experimental short films curated by Michaela Freeman.\nThis week: \n style=”text-align: center;”>Clara S. Rueprich\n style=”text-align: center;”>Condition M\nThe film documents a training exercise with a keeper and his hunting dogs. A trail of meat lies outside the dogs’ kennels. Marked with an ‘M’ on their flanks\, the hounds waiting hungrily inside can see the meat and become excited and agitated in their wait\, but the keeper prevents them from leaving. \n“When finally allowed to leave\, the keeper cracks his whip and the dogs obediently hold back from devouring the meat. The dogs are incredibly patient\, and when they are allowed to feed\, they do so with great energy and delight. \n“This remarkable film\, shot from a single viewpoint\, explores the close relationship between the keeper and dogs / human and animal\, but also raises certain ethical questions about the mechanisms of control used to restrain these hounds which are bred to seek\, hunt and kill.” \nInterested to show your film as part of Bermondsey Shorts? Contact us on facebook: /BermondseyShorts\nScreening Times: Tue-Sat 12-2pm & 4-6pm\n[row][one_col] \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n[/one_col][/row] URL:https://project-space.london/event/bermondsey-shorts-2 CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/04/BERMONDSEY-SHORTS1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170314T110000 DTEND;TZID=UTC:20170325T180000 DTSTAMP:20260607T073329 CREATED:20170301T154226Z LAST-MODIFIED:20180829T144141Z UID:4446-1489489200-1490464800@project-space.london SUMMARY:Nick Malone - "A Tale of Two Lives" DESCRIPTION:Nick Malone \nA Tale of Two Lives \n  \n14 – 25 March \n\nAlongside his exhibition\, A Tale of Two Lives\, which runs at Art Bermondsey Project Space from 14-25 March\, artist Nick Malone will be in conversation with art critic and Deputy Editor of State magazine\, Anna McNay. \n\n \nSat 18 March 2017  15:00 – 17:00 \n\nclick here to book your place \n  \n  \nThe walls of the main gallery are dominated by large\, three-dimensional works of burnt wood and drawing on canvas that depict an inner mythology through dissolving planes. These seem to occupy a third space between drawing and sculpture\, to be engaged with on their own terms of visual dynamics and broken narrative\, without any need to go further.\nHowever\, leading from this area is a far smaller space that provides a completely different environment. It refers to a moment in a graphic novel currently being written by Nick Malone – The Disappearance of Makepeace: A Tale of Two Lives – which centres around the strange disappearance and lifelong search for its mysterious hero. This moment is the visitor’s entry into the hidden room that had been used by Makepeace himself\, holding his sketchbooks and notes on a central table\, with further work on the walls of the room\, and a background soundscape of narrative and poetry* drawn from the novel.\nTrapdoors into Makepeace’s world open as windows cut into the pages through which other worlds of imagination can be seen. In this way the text of the graphic novel sets the exhibition within a wider context of narrative\, adventure and dream\, incorporating images of the works in the main gallery into an examination through story of ambiguity\, dissolution and change. \nThis show is pivotal in the development of Nick Malone’s art\, from earlier\, structured work such as his exhibition Balkan Earth for the British Council Greece\, through his manipulated canvases of liquid acrylic\, to these radical\, new constructions with soundscape\, text and narrative. \n* Part of this text is taken from Nick Malone’s prizewinning book Jason Smith’s Nocturnal Opera\, written with the support of Arts Council England and published by the Cinnamon Press \nNICK MALONE\nNick Malone took his MA in Fine Art at Central St. Martins; he currently lives and works in London\nHe has exhibited extensively in London and internationally and his work is represented in a number of collections\, including the British Council Greece\, The University of Wisconsin\, BUPA\, WestLB\, Granville Holdings\, GlaxoSmithKline and One Aldwych. \nNick Malone has received an Arts Council England Award to support him in the development of his creative work\, and is a Fellow of the Royal Society of Arts. \nThis exhibition will feature a series of new paintings inspired by the in-the-making graphic novel The Disappearance of Makepiece – A Tale of Two Lives \nCatalogue available with a foreword by Anna McNay. \n[row][one_col] \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n[/one_col][/row] URL:https://project-space.london/event/nick-malone-a-tale-of-two-lives LOCATION:Gallery 1\, 183 - 185 Bermondsey Street\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/03/Where-squadrons-of-insects-were-swimming-through-the-moving-skies-.-.-..jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170214T110000 DTEND;TZID=UTC:20170312T180000 DTSTAMP:20260607T073329 CREATED:20170131T172156Z LAST-MODIFIED:20180829T144206Z UID:4371-1487070000-1489341600@project-space.london SUMMARY:Minnie Weisz - "Time present Time future" DESCRIPTION:Minnie Weisz \nTime Present Time Future… \n14 February – 11 March \nMinnie Weisz is a Photographic Artist interested in the identity of spaces\, recording and documenting buildings in areas of transience in London to forgotten interiors in remote locations in Europe. Alongside a more documentary approach\, Weisz turns these spaces into a camera obscura\, she has been turning rooms inside out since 2006. Exterior and interior worlds collide and merge\, projections of light open up a conversation between the present and the past; traces of memory and time bordering a threshold between the real and the imagined\, dream and reality? These rooms are witness to history and the passage of time\, to memories past and present; family and home\, space and connection.\nMinnie Weisz works in analogue photography with medium format cameras\, film and video. \nShe studied at The London College of Printing BA Graphic and Media Design; The Royal College of Art\, MA Communication Art and Design (2003). Her work has been exhibited in London and Europe : Wunderkammer III\, Voies Off Galerie Huit\, Arles (2016); Herrick Gallery London (2015); Capriccio II Van Kranendonk Gallery\, The Hague The Netherlands (2014); Art Rotterdam (2014); Dubbel Beeld\, Kunstliefde Utrecht (2014); Inside Out\, WTC Gallery The Hague (2013)\, View with a Room Gallery Makina\, Pula Film Festival\, Croatia (2013); Artist residency at The London Film Museum (2013); \nPublished work :100 Ideas that changed Photography by Mary Warner Marien\, Lawrence King 2012; Photography Portfolio by John Ingeldew and Lorenz Gullaschen\, Lawrence King 2013; The A-Z of Visual Ideas by John Ingeldew\, Lawrence King\, London 2011; Londres\, un Cite en Mouvement Yann Perreau and Kevin Bidermann\, Editions Autrements Paris 2006. \nMinnie Weisz lives and works in London. \n  URL:https://project-space.london/event/minnie-weisz-time-present-time-future-3 LOCATION:Gallery 2\, 183 - 185 Bermondsey Street\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170214T110000 DTEND;TZID=UTC:20170224T180000 DTSTAMP:20260607T073330 CREATED:20170111T125150Z LAST-MODIFIED:20180829T144206Z UID:4420-1487070000-1487959200@project-space.london SUMMARY:PETER DENCH | Great Britons of Photography DESCRIPTION:DENCH’S GREAT BRITONS OF PHOTOGRAPHY \n\n\nAN EXHIBITION CURATED BY OLYMPUS VISIONARY PETER DENCH \n\nBeing a photographer can be a solitary and selfish pursuit\, often necessarily so. You compete\, aim to be the best and plot your romp towards the next triumph: for years OLYMPUS Visionary\, Peter Dench operated like this. \nWith the domination of digital photography and no longer socialising at the film processing lab\, combined with the newfound comfort in his forties and with his craft\, Dench actively began to meet other British photographers\, to take an interest in what they have done and the way in which they did it. \nDENCH’s Great Britons of Photography\, brings together the work of some of the greatest living British photographers including: Jocelyn Bain Hogg\, Marcus Bleasdale\, Harry Borden\, John Bulmer\, Chris Floyd\, Brian Griffin\, Laura Pannack\, Tom Stoddart\, Homer Sykes\, Anastasia Taylor-Lind and Peter Dench (naturally). \nAll of the photographers featured in this intimate and revealing exhibition have shaped Dench in some way; sometimes professionally\, more often\, personally. They are glimpses into the lives and practice of some of British photography’s most extraordinary characters. \nAn accompanying book featuring twelve photographers is published by Hungry Eye; delivered as a limited first edition of 500\, a high quality\, case bound coffee table book with gold foil detail. \nhttp://hungryeyemagazine.com/great-britons-of-photography-vol-one-the-dench-dozen/ \n“This new collection of interviews and photographs by Dench is hilarious and insightful\, always engaging and written with an inimitable wit and style; an instant classic.”  Tom Knox\, Thriller Writer \nSaturday 18th February:\nQ&A with Peter Dench chaired by Mike Von Joel\, Editor-in-Chief of State Magazine. \nLimited seats available. Book your place here \n\nPeter Dench\nPeter is a photographer with over 20 years experience in the advertising\, editorial\, portraiture and video fields of image making. He is represented worldwide by the Verbatim photo agency. \nAchievements include: World Press Photo award in the People in the News Stories category and participation in the World Press Joop Masterclass. Football’s Hidden Story\, a FIFA sponsored reportage comprising 26 stories across 20 different countries\, received six global accolades. \nBooks published include: THE DENCH DOZEN: Great Britons of Photography Vol. 1; Dench Does Dallas; The British Abroad; A&E: Alcohol & England & England Uncensored. \nWritten contributions have been commissioned for the New Yorker and Telegraph magazine. Hungry Eye publishes the column\, The Dench Diary\, in each issue. \nTV presenting credits include Channel 4 News: What is it to be English? \npeterdench.com \n\nAnastasia Taylor-Lind \nAnastasia Taylor-Lind is an English/Swedish artist with a Nieman Fellowship from Harvard University. She has a background in photojournalism and has worked for leading publications all over the world on issues relating to women\, population and war. Her first book MAIDAN – Portraits from the Black Square\, which documents the 2014 Ukrainian uprising in Kiev\, was published by GOST in the same year. Taylor-Lind holds degrees in Documentary Photography from the University of Wales Newport and the London College of Communication. She is engaged with education\, regularly lecturing at universities and teaching workshops internationally. \nAnastasiataylorlind.com \n\nMarcus Bleasdale\nMarcus Bleasdale has spent over 15 years documenting some of the world’s most brutal wars and focused on campaigning against human rights abuses. He has been documenting these issues for Human Rights Watch and is a contributing photographer for National Geographic Magazine. \nUsing his background in business and economics\, Bleasdale researches the sources of financing driving the conflicts\, which usually leads to the mines\, and the armed networks linked to them. Bleasdale has covered wars in Sierra Leone\, Liberia\, The Democratic Republic of Congo\, Central African Republic\, Somalia\, Chad and Darfur\, Kashmir and Georgia. \nHe has published three books to date: One Hundred Years of Darkness (2002)\, documenting life along the Congo River\, The Rape of a Nation (2009)\, documenting the exploitation of natural resources in Eastern Congo and The Unravelling (2015)\, documenting the brutal conflict in the Central African Republic. \nMarcusbleasdale.com \n\nJocelyn Bain Hogg\nJocelyn Bain Hogg began his career as a unit photographer on movie sets after studying Documentary Photography at Newport Art College. He shot publicity for the BBC\, photographed fashion and now works on documentary projects\, commercial and editorial assignments. \nHe is the author of five photographic books to date\, including The Firm (2003)\, an astonishingly intimate view of London’s organised crime world\, Idols + Believers (2006)\, an intensive journey into the nature of fame and today’s celebrity culture and The Family (2011)\, which looks again at Britain’s organised crime world in a new decade. \nJocelynbainhogg.eu \n\nBrian Griffin\nBrian Griffin is one of Britain’s most influential and creative photographers. Griffin’s influences are diverse\, from Renaissance masters to Symbolism\, Surrealism and Film Noir. \nGriffin has worked with a variety of music industry clients including Depeche Mode\, REM\, Elvis Costello\, Iggy Pop\, Ringo Starr\, Peter Gabriel and Queen’s Brian May. He has produced album covers\, TV commercials\, music videos and award winning films. \nIn 1987\, Griffin was awarded the Freedom of the City of Arles\, France\, and in 1989\, The Guardian newspaper proclaimed him to be ‘Photographer of the Decade’. \nbriangriffin.co.uk \n\nHarry Borden\nHarry Borden is one of the UK’s finest portrait photographers and his work has been widely published. He won prizes at the World Press Photo Awards (1997 and 1999) and was a judge in the contest in 2010 and 2011. In June 2005 he was awarded a solo exhibition at the National Portrait Gallery\, London. The gallery has more than 100 examples of Borden’s work in their permanent collection. His personal projects include a series on Single Parent Dads and Holocaust Survivors\, which was shortlisted for the European Publishers Award for Photography and will be released in 2017 by Octopus. In 2014 he was awarded an Honorary Fellowship by the Royal Photographic Society. \nharryborden.co.uk \n\nChris Floyd\nChris Floyd’s work has appeared in some of the world’s most highly respected publications including The New Yorker\, Harpers Bazaar\, GQ\, Esquire\, The New York Times Magazine\, The Sunday Times Magazine and Wallpaper*. He has shot advertising campaigns for British Airways\, Apple\, Sony and Philips and has been selected several times for the National Portrait Gallery’s annual portrait prize. \nIn 2011\, Chris published a project entitled One Hundred And Forty Characters. Over a period of a year he made contact with 140 people that he followed on Twitter and photographed each of them in his London studio. The project received worldwide recognition and acclaim\, with features about it on the BBC\, Newsweek\, The Guardian\, The Sunday Times\, Elle\, Esquire and many other publications and websites. \nchrisfloyd.com \n\nJohn Bulmer\nJohn Bulmer was a pioneer of colour photography working for the Sunday Times Magazine from the very first issue until the 1970’s. Many of Bulmer’s most important assignments were abroad\, but he is also acknowledged as an adroit recorder of provincial Britain. \nHis work has been singled out for awards by the Design and Art Directors Club and he has had pictures exhibited at the Gallery of Modern Art in New York\, the Photographers’ Gallery in London\, and the National Museum of Photography in Bradford \nBulmer has directed many films on travel and untouched tribes in the most inaccessible parts of the world broadcast on the BBC\, Nat Geo and Discovery Channels. \nBooks include The North (2012) and Wind of Change (2014). \njohnbulmer.co.uk \n\nLaura Pannack\nLaura Pannack’s work has been extensively exhibited and published both in the UK and internationally\, including at The National Portrait Gallery\, The Houses of Parliament\, Somerset House\, and the Royal Festival Hall in London. \nIn 2010 Pannack received first prize in the Portrait Singles category of the World Press Photo Awards. She has also won and been shortlisted for several other awards including The Sony World Photography Awards\, The Magenta Foundation and Lucies IPA. She was awarded the Vic Odden by The Royal Photographic Society Award for a notable achievement in the art of photography by a British photographer aged 35 or under. In 2015 she judged the World Photo Press Awards Portraits Category. \nPannack often lectures\, critiques and teaches at universities\, festivals and workshops worldwide. \nlaurapannack.com \n\nHomer Sykes\nHomer Sykes is a professional magazine and portrait photographer with many years experience. He has travelled widely on photographic assignments across the world covering conflicts in Israel\, Lebanon\, and Northern Ireland\, as well as general news in the UK. \nHis books include\, Once a Year: Some Traditional British Customs (1977)\, re-published in 2016 with over 50 ‘new’ images\, Shanghai Odyssey (2002)\, and On the Road Again (2002). \nSykes work is owned by many private collectors and national collections. \nhomersykes.com \n\nTom Stoddart\nTom Stoddart began his photographic career on a local newspaper in his native North-East of England before moving to London to work for publications such as the Sunday Times and Time Magazine. \nDuring a long and varied career\, he has witnessed such international events as the war in Lebanon\, the fall of the Berlin Wall\, the election of President Nelson Mandela\, the bloody siege of Sarajevo and the wars against Saddam Hussein in Iraq. \nHis acclaimed in-depth work on the HIV/AIDS pandemic blighting sub-Saharan Africa won the POY World Understanding Award in 2003. In the same year his pictures of British Royal Marines in combat\, during hostilities in Iraq\, was awarded the Larry Burrows Award for Exceptional War Photography. A year later his book iWITNESS was honoured as the best photography book published in the USA. \nIn the summer of 2012\, Perspectives\, an outdoor retrospective exhibition in collaboration with the International Committee of the Red Cross\, was viewed by 225\,000 visitors at London’s South Bank. \ntomstoddart.com URL:https://project-space.london/event/peter-dench-great-britons-of-photography LOCATION:Gallery 1\, 183 - 185 Bermondsey Street\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/png:https://project-space.london/wp-content/uploads/2017/01/Screen-Shot-2017-01-11-at-11.50.20.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170207T110000 DTEND;TZID=UTC:20170212T180000 DTSTAMP:20260607T073330 CREATED:20170131T172831Z LAST-MODIFIED:20190615T152208Z UID:4430-1486465200-1486922400@project-space.london SUMMARY:#JESSOPSWINTER EXHIBITION DESCRIPTION:In association with JESSOPS\nImmerse yourself in some fantastic wintery landscapes this February thanks to Jessops. This winter the UK’s premier photo retailer challenged their customers to get out and capture the season around them\, with weekly winners having their photos displayed in stores nationwide. \nAs the ‘#JessopsWINter’ competition draws to a close\, we are delighted to bring together the breathtaking photos that capture winter at its finest all under one roof\, at our amazing Art Bermondsey Project Space gallery. \nRunning from  6th – 12th February inclusive this exhibition is open to anyone and easily reachable from all major transport hubs\, so there’s no excuse to miss out on the amazing images photographers across the UK have been capturing this winter. \nDon’t forget to share all your photos from the exhibition using the hashtag #JessopsWINter URL:https://project-space.london/event/minnie-weisz-time-present-time-future-2 CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/01/jessops-winter.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170131T110000 DTEND;TZID=UTC:20170211T180000 DTSTAMP:20260607T073330 CREATED:20170131T165557Z LAST-MODIFIED:20190615T152209Z UID:4377-1485860400-1486836000@project-space.london SUMMARY:Bermondsey Shorts DESCRIPTION:Bermondsey Shorts\nA weekly series of short\, experimental artist films.\nProgramme Director: Michaela Freeman\nFebruary Programme:\n31/1-4/2  JENNA COLLINS – Someone Who Isn’t Me\nScreening Times: Tue-Sat 12-2pm & 4-6pm\nStarted in April 2016\, Bermondsey Shorts has presented films by international artists and filmmakers including: Miguel Jiron\, Alex Grigg\, Jan Sramek\, Veronika Vlkova\, Alexandra Levasseur\, Johnny Kelly\, Christian Schlaeffer\, Carla McKinnon\, Caleb Wood\, Daniela Sherer\, Neely Goniodsky\, Greg Barth\, Mikey Please\, Matthew Stephenson\, Tereza Buskova\, Vladimír Houdek\, Timothy David Orme\, Susan Francis\, Pete Gomes\, Heather Phillipson\, Sarah-Mace Dennis. \nInterested to show your film as part of Bermondsey Shorts?\nContact us on facebook:/BermondseyShorts URL:https://project-space.london/event/bermondsey-shorts LOCATION:Gallery 3\, 183 - 185 Bermondsey Street\, LONDON\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2016/11/IMG_5274.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170131T110000 DTEND;TZID=UTC:20170204T180000 DTSTAMP:20260607T073330 CREATED:20161125T154608Z LAST-MODIFIED:20180829T144206Z UID:4391-1485860400-1486231200@project-space.london SUMMARY:OLYMPUS show: Cleveland Aaron 'Shapes From The Street' DESCRIPTION:CLEVELAND AARON \n\n\naka\n\n ONE MAN AND HIS PEN\n\nShapes From The Street \n\nI’ve always enjoyed personal projects. I think of them as a means to creative growth through self understanding. \nThe following are a collection of images that attempt to document light\, shapes and space. The inspiration for the first instalment was architecture and the city and the aim was to shoot a series of architectural images of details on the streets. As people enter my frame I document their interaction with the city. I look at how the streets influence our movements and how the city’s numerous buildings and squares afford passage ways and meeting places for us. Then I make shapes and capture people in the composition to show scale and functionality. \nI feel fortunate to be an Olympus Ambassador. I was asked to test the Olympus PEN f a few months before it’s launch and produce images to be used for marketing purposes. I fell in love with the camera instantly. Due to the size and retro design I think it’s less intimidating to those around me but\, most importantly it allows me to shoot monochrome images with more control. That’s what sold it\, as I don’t have the appetite for post. \nI hope you’ll enjoy viewing the pages of this book. Visit www.f5point6.co.uk to see more of my work and visual blogs. \nI’d like to say a special thank you to Olympus UK & Europe for all their support and cameras that have inspired me plus all the people who unwittingly featured on my various stages. \nBorn and raised in East London Cleveland has had a love affair with photography for as long as he could remember. After sixth form he spent 11 years working in the city before finally breaking free to pursue a career in photography. Always looking forward and never looking back\, he started shooting music portraits\, fashion and urban street culture. It was during this period (1999) that his association with Olympus digital began. In more recent times his commissions have been in advertising due to the diverse and eclectic nature of his imagery and has worked with brands the likes of Bacardi\, Nike\, Adidas\, LK Bennett\, Oliver Goldsmith & French Connection to name but a few. Always evolving he has been making strides into all things architectural rekindling a childhood passion but\, looking through his vast portfolio it’s clear that he has no allegiance to any particular genre\, he just loves taking photos! Today he divides his time between being a photographer and educator. He has a teaching qualification (PTLLS) and runs a bespoke tutoring service\, RightEye Dominant. URL:https://project-space.london/event/olympus-show-cleveland-aaron-shapes-from-the-street LOCATION:Gallery 1\, 183 - 185 Bermondsey Street\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/png:https://project-space.london/wp-content/uploads/2016/11/Screen-Shot-2016-11-25-at-15.34.36.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170117T110000 DTEND;TZID=UTC:20170128T180000 DTSTAMP:20260607T073330 CREATED:20170110T171712Z LAST-MODIFIED:20180829T144206Z UID:4412-1484650800-1485626400@project-space.london SUMMARY:OLYMPUS UAL PHOTOGRAPHY AWARD DESCRIPTION:OLYMPUS UAL PHOTOGRAPHY AWARD  \nThe future in their sites \n  \nOLYMPUS and the Art Bermondsey Project Space support the next generation of photographers from UAL. \n  \nJanuary 2017 will see the first annual Olympus Photography Award given to current University of the Arts London students. \n  \nResponding to the theme Site/In Situ\, students were asked to submit work in three categories: Print\, Projection and Multimedia and the winner of each category will receive a camera from OLYMPUS. There will also be a viewer’s choice awarded. \n  \nThe selected 30 finalists will exhibit work that places the artistic process in relation to the surroundings where students develop their skills and research and will showcase the many ways in which practitioners are using photography today. \n  \nThe exhibiting artists are: Calum Barlow\, Claire Barthelemy\, Rachel Beeson\, Marie Cognacq\, Jasmine Nicole Da Costa\, Cecilia Dumont\, Pietra Galli\, Claudia Greco\, Glenn Michael Harper\, Andrew Hart\, Huxin Huang\, Jae Youl Jeoung\, Lukas Kay\, Shrey Khandwala\, Portia Legge\, Nadia Lino\, Tuli Gal Litvak\, Hugo Lunet\, Lucio Martus\, Tamami Mizutani\, Marcin Nowak\, Toyé Pending\, Danielle Sargeant\, Rosa Saul\, Dom Sebastian\, Yuhwa Son\, Georgina Stables\, Guillaume Valli\, Annabel Wicker and Yang Xu \n  \nGavin Ramsey from the University of the Arts London Students’ Union said – “Olympus and Art Bermondsey Project Space are giving an invaluable opportunity to UAL students to exhibit their work\, network and develop professionally. A Brand new camera will also be a massive help!” \n  \nMike von Joel\, Creative Director Art Bermondsey Project Space said – “We are very much looking forward to unrolling a complete programme of collaborations with UAL\, of which this photo based competition is one. ABPS is a not for profit platform supporting the fusion of art\, photography and culture and the students of the six UAL colleges are a perfect partners for this creative adventure.” \n  \nGeorgina Pavelin\, Marketing Manager Olympus said – “Educational initiatives and support to encourage artists working with visual media are prime co-ordinates of our international sponsorship programmes. The Bermondsey Project Space is a professionally run gallery that can foster and promote fresh ideas and those just beginning a career in the creative Arts. Olympus is pleased to contribute to what is a unique exhibition facility in the heart of London.” \n  \nIn partnership with State Media \n[row][one_col] \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n[/one_col][/row]\nThe exhibition runs 17th – 28th January 2017\, Tues-Sat 11.00 – 18.00 \n  \nFor more information contact – \nsm@project-space.london / g.ramsey@su.arts.ac.uk \n  \nArt Bermondsey Project Space is a cutting edge\, creative platform to encourage personal development through visual art and support the fusion of art\, photography and culture. \n  \nUniversity of the Arts London is in the top 5 universities in the world for art and design. They offer an extensive range of courses in art\, design\, fashion\, communication and performing arts. Their graduates go on to work in and shape creative industries worldwide. \n  \nUAL have launched the careers of many creative and cultural leaders with: \n  \n\nOver half of all Turner Prize winners and nominees in the 30 years since its inception are UAL alumni\n37 of the 80 Royal Academicians are UAL alumni; a further 17 are serving or former staff\nOver half of the recipients of British Designer of the Year are UAL alumni\n10: the number of UAL alumni who are current Royal Designers for Industry for product or industrial design\nOver half of the fashion designers that showed a London Fashion Week A/W 2016 are UAL alumni\nMultiple winners in the most prestigious art and design awards: from the BP Portrait Award; Jerwood Prize; Taylor Wessing Photographic Portrait Prize; Minerva Medal; BAFTAs\, Golden Globes and Oscars URL:https://project-space.london/event/olympus-ual-photography-award LOCATION:Gallery 1 + 2\, 183-185 Bermondsey Street\, London\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/01/Claire_Barthelemy1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170110T110000 DTEND;TZID=UTC:20170114T180000 DTSTAMP:20260607T073330 CREATED:20161130T111105Z LAST-MODIFIED:20180829T144206Z UID:4394-1484046000-1484416800@project-space.london SUMMARY:John Nassari 'Alters' DESCRIPTION:Alters \n\nAN EXHIBITION BY OLYMPUS VISIONARY \n\nJOHN NASSARI\n\n10-14 January \n\nJohn’s much anticipated “Alters” project is a photographic series that explores personal and shifting identity.\nSubjects are invited to sit for a photograph and are asked to think about what part of themselves or character they wish to represent. They then go away and change into a second person\, or “alter”. Some of the alters are fictions or aspirations and others are actual parts of people personalities\, that exist “out there” not just in the mind. People are encouraged to name their characters and to describe how they are different or similar\, before the photographs begin. \nJohn would often sit in the place of the other missing character and control his camera with a remote\, so the subject has a real person to relate to. He would often try and take on the personality of the other character so the relationship could be felt rather than acted. He then puts the two characters together in Photoshop\, replacing himself with each subject. \nOf the series John says “it’s a true collaboration between all three of us. They invent the character and the relationship\, I light and frame the scene and help them feel it when I shoot it” URL:https://project-space.london/event/john-nassari-alters LOCATION:Gallery 1\, 183 - 185 Bermondsey Street\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/png:https://project-space.london/wp-content/uploads/2016/11/Screen-Shot-2016-11-30-at-11.10.19.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20161206T110000 DTEND;TZID=UTC:20170107T180000 DTSTAMP:20260607T073330 CREATED:20161117T172412Z LAST-MODIFIED:20180829T144206Z UID:4372-1481022000-1483812000@project-space.london SUMMARY:Dick Scott-Stewart 'These Times' DESCRIPTION:Dick Scott Stewart\n(1948-2002)\nThese Times \nARCHIVE PHOTOGRAPHS\nThe Dick Scott Stewart Archive houses Dick Scott Stewart’s photographs taken from the mid 1960’s until 2002. The collection are predominately black and white images. These are the ones represented on this site. The pictures are of people and places mainly in London and Great Britain and record aspects of three decades\, the 70s\, 80s and 90s. It is an impressive body of work containing many images of startling quality and distinction. \nDuring his training Dick absorbed many of the influences and language of the great American and European photographers\, and painters\, and from there developed his own distinctive style. This not only uses the powerful possibilities of contrast in black and white photography “going for the black”\, and a painter’s eye for composition\, but also visible compassion and humour. \nThe Dick Scott-Stewart Archive was set up to preserve the negatives and original prints and to promoted Dick Scott-Stewart’s contribution to photography. It aims to preserve the signature images alongside the sets of pictures that make up projects and narratives of their particular time. \nA retrospective exhibition was set up at the 286 gallery in London in 2004. This year 2013 sees the publishing of four books available for purchase through this site and print on demand services. These books comprise of a general collection Dick Scott Stewart ‘Photography’\, over a hundred great images taken from the collection. A book of portraits of homeless people\, Dick Scott-Stewart ‘The Gaze’\, shows the great dignity and presence in people living on the edge of society. Dick Scott-Stewart ‘People and other Animals’\, is a book of portraits of well known people\, unknown people and animals\, a wry look at humanity Dick Scott-Stewart style. Dick Scott-Stewart ‘Wrestling” is a hilarious collection of pictures of wrestling at Battersea Arts Centre in London in the 1980s. \nDick Scott-Stewart was born in the Cotswold village of Painswick in 1948. He died in London in 2002.\nHe studied photography at the London College of Printing and worked as a freelance photographer thereafter.\nHis work was exhibited throughout the world\, including in New York alongside Cartier Bresson. \nHis photographs were also regularly published in The Sunday Times Magazine\, The Daily Telegraph and The Observer. \nHe published two books of photographs\, including the much-loved Fairground Snaps (1974). \nOver his photographic career\, Dick Scott-Stewart created some of the most resonant images of contemporary British photography\, especially in the black-and white medium to which he was so passionately dedicated. \nThis exhibition will be a retrospective on Scott-Stewart’s most iconic photographs.\nCatalogue available. \n  URL:https://project-space.london/event/dick-scott-stewart-these-times LOCATION:Gallery 2\, 183 - 185 Bermondsey Street\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/png:https://project-space.london/wp-content/uploads/2016/11/Screen-Shot-2016-12-05-at-10.48.22.png END:VEVENT END:VCALENDAR