BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Bermondsey Project Space - ECPv6.0.11//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://project-space.london X-WR-CALDESC:Events for Bermondsey Project Space REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:UTC BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0000 TZNAME:UTC DTSTART:20170101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=UTC:20170214T110000 DTEND;TZID=UTC:20170312T180000 DTSTAMP:20260621T141946 CREATED:20170131T172156Z LAST-MODIFIED:20180829T144206Z UID:4371-1487070000-1489341600@project-space.london SUMMARY:Minnie Weisz - "Time present Time future" DESCRIPTION:Minnie Weisz \nTime Present Time Future… \n14 February – 11 March \nMinnie Weisz is a Photographic Artist interested in the identity of spaces\, recording and documenting buildings in areas of transience in London to forgotten interiors in remote locations in Europe. Alongside a more documentary approach\, Weisz turns these spaces into a camera obscura\, she has been turning rooms inside out since 2006. Exterior and interior worlds collide and merge\, projections of light open up a conversation between the present and the past; traces of memory and time bordering a threshold between the real and the imagined\, dream and reality? These rooms are witness to history and the passage of time\, to memories past and present; family and home\, space and connection.\nMinnie Weisz works in analogue photography with medium format cameras\, film and video. \nShe studied at The London College of Printing BA Graphic and Media Design; The Royal College of Art\, MA Communication Art and Design (2003). Her work has been exhibited in London and Europe : Wunderkammer III\, Voies Off Galerie Huit\, Arles (2016); Herrick Gallery London (2015); Capriccio II Van Kranendonk Gallery\, The Hague The Netherlands (2014); Art Rotterdam (2014); Dubbel Beeld\, Kunstliefde Utrecht (2014); Inside Out\, WTC Gallery The Hague (2013)\, View with a Room Gallery Makina\, Pula Film Festival\, Croatia (2013); Artist residency at The London Film Museum (2013); \nPublished work :100 Ideas that changed Photography by Mary Warner Marien\, Lawrence King 2012; Photography Portfolio by John Ingeldew and Lorenz Gullaschen\, Lawrence King 2013; The A-Z of Visual Ideas by John Ingeldew\, Lawrence King\, London 2011; Londres\, un Cite en Mouvement Yann Perreau and Kevin Bidermann\, Editions Autrements Paris 2006. \nMinnie Weisz lives and works in London. \n  URL:https://project-space.london/event/minnie-weisz-time-present-time-future-3 LOCATION:Gallery 2\, 183 - 185 Bermondsey Street\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170314T110000 DTEND;TZID=UTC:20170325T180000 DTSTAMP:20260621T141946 CREATED:20170301T154226Z LAST-MODIFIED:20180829T144141Z UID:4446-1489489200-1490464800@project-space.london SUMMARY:Nick Malone - "A Tale of Two Lives" DESCRIPTION:Nick Malone \nA Tale of Two Lives \n  \n14 – 25 March \n\nAlongside his exhibition\, A Tale of Two Lives\, which runs at Art Bermondsey Project Space from 14-25 March\, artist Nick Malone will be in conversation with art critic and Deputy Editor of State magazine\, Anna McNay. \n\n \nSat 18 March 2017  15:00 – 17:00 \n\nclick here to book your place \n  \n  \nThe walls of the main gallery are dominated by large\, three-dimensional works of burnt wood and drawing on canvas that depict an inner mythology through dissolving planes. These seem to occupy a third space between drawing and sculpture\, to be engaged with on their own terms of visual dynamics and broken narrative\, without any need to go further.\nHowever\, leading from this area is a far smaller space that provides a completely different environment. It refers to a moment in a graphic novel currently being written by Nick Malone – The Disappearance of Makepeace: A Tale of Two Lives – which centres around the strange disappearance and lifelong search for its mysterious hero. This moment is the visitor’s entry into the hidden room that had been used by Makepeace himself\, holding his sketchbooks and notes on a central table\, with further work on the walls of the room\, and a background soundscape of narrative and poetry* drawn from the novel.\nTrapdoors into Makepeace’s world open as windows cut into the pages through which other worlds of imagination can be seen. In this way the text of the graphic novel sets the exhibition within a wider context of narrative\, adventure and dream\, incorporating images of the works in the main gallery into an examination through story of ambiguity\, dissolution and change. \nThis show is pivotal in the development of Nick Malone’s art\, from earlier\, structured work such as his exhibition Balkan Earth for the British Council Greece\, through his manipulated canvases of liquid acrylic\, to these radical\, new constructions with soundscape\, text and narrative. \n* Part of this text is taken from Nick Malone’s prizewinning book Jason Smith’s Nocturnal Opera\, written with the support of Arts Council England and published by the Cinnamon Press \nNICK MALONE\nNick Malone took his MA in Fine Art at Central St. Martins; he currently lives and works in London\nHe has exhibited extensively in London and internationally and his work is represented in a number of collections\, including the British Council Greece\, The University of Wisconsin\, BUPA\, WestLB\, Granville Holdings\, GlaxoSmithKline and One Aldwych. \nNick Malone has received an Arts Council England Award to support him in the development of his creative work\, and is a Fellow of the Royal Society of Arts. \nThis exhibition will feature a series of new paintings inspired by the in-the-making graphic novel The Disappearance of Makepiece – A Tale of Two Lives \nCatalogue available with a foreword by Anna McNay. \n[row][one_col] \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n[/one_col][/row] URL:https://project-space.london/event/nick-malone-a-tale-of-two-lives LOCATION:Gallery 1\, 183 - 185 Bermondsey Street\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/03/Where-squadrons-of-insects-were-swimming-through-the-moving-skies-.-.-..jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170321T110000 DTEND;TZID=UTC:20170408T180000 DTSTAMP:20260621T141946 CREATED:20170322T134122Z LAST-MODIFIED:20190615T152209Z UID:4497-1490094000-1491674400@project-space.london SUMMARY:Bermondsey Shorts - A Weekly Programme of Artists Videos DESCRIPTION:Bermondsey Shorts is a regular programme of experimental short films curated by Michaela Freeman.\nThis week: \n style=”text-align: center;”>Clara S. Rueprich\n style=”text-align: center;”>Condition M\nThe film documents a training exercise with a keeper and his hunting dogs. A trail of meat lies outside the dogs’ kennels. Marked with an ‘M’ on their flanks\, the hounds waiting hungrily inside can see the meat and become excited and agitated in their wait\, but the keeper prevents them from leaving. \n“When finally allowed to leave\, the keeper cracks his whip and the dogs obediently hold back from devouring the meat. The dogs are incredibly patient\, and when they are allowed to feed\, they do so with great energy and delight. \n“This remarkable film\, shot from a single viewpoint\, explores the close relationship between the keeper and dogs / human and animal\, but also raises certain ethical questions about the mechanisms of control used to restrain these hounds which are bred to seek\, hunt and kill.” \nInterested to show your film as part of Bermondsey Shorts? Contact us on facebook: /BermondseyShorts\nScreening Times: Tue-Sat 12-2pm & 4-6pm\n[row][one_col] \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n[/one_col][/row] URL:https://project-space.london/event/bermondsey-shorts-2 CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/04/BERMONDSEY-SHORTS1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20170328T110000 DTEND;TZID=UTC:20170415T160000 DTSTAMP:20260621T141946 CREATED:20170321T133109Z LAST-MODIFIED:20180829T144140Z UID:4490-1490698800-1492272000@project-space.london SUMMARY:Tony McGee " Within A Split Second" DESCRIPTION:Tony McGee \n\n\nWithin A Split Second  \n\n\n28 March – 15 April \n\n\nBoxing is music? Ballet is music? \nBoxing and ballet are photogenic\, that there is no argument. \nC’mon then get in to the ring of life\, stand toe to toe with your own humility and then dance inside the shadows of your opponents fears. Bowie\, Muhammed Ali\, Michael Jackson\, Rocky Marciano\, Mayweather and Sugar Ray Robinson etc\, they all possessed this beautiful “movement” and technique that has fascinated me for all of my photographic life. \nSpeeding bullets\, racing cars\, horses\, airplanes\, anything that moves fast; these are the things that I want to photograph. “Caught” in the apex of their movement\, “Within A Split Second” that is the order of things here and then there is “Ballet”. \nBallet? I hear you say. \nYes\, indeed. No wires\, no CGI just sheer perfect talent moving on stage\, keep up with it if you can? Quick feet\, you’ll need them\, hearts beating so fast\, and strong hands! \nMe? I run to the arena on the night of the boxing event\, all out of breath (carrying all of my camera gear) I park up early at ringside soaking up the atmosphere. All of the camera’s now ready\, the matches start early and the novices are on 1st\, all of this is leading to the main event of the evening and then suddenly the big guys are in the ring and the dance begins. \n“Defend yourself at all times” shouts the referee as the boxers swerve and sway probably inside the most important 3 minutes of their lives… \nRound 7 is now tiring. \nMistakes are made\, body shots hurt now\, breathing patterns have changed and the real challenge now begins! \n“Stay off the ropes” “Watch his head” \n“Don’t take the fight to him” “Let him come and find you” \nHis corner\, men are screaming now! Ronald’s puffing and spitting\, Billy knows it and he can sense the knockout coming soon. This ups his game and he takes chances\, suddenly Ronald is on him with a combination of stinging punches… Billy is out! \n“Within A Split Second” the fight is over and Ronald’s men invade the ring to cheer and lift their man. \n  \nTony McGee \nBorn 1954\, London. \nWent to school at St. Thomas More in Chelsea\, raised by Scottish/Irish parents in Milbank\, Westminster. \nFather was a strong influence and mother was a loving soul. Growing up was a wonderful thing during the 60’s in London\, everything was changing and Muhammed Ali and Sonny Listen were on the black and white tv regularly. \nStyle\, fashion and music played an important role in my life and my father bought me my first camera in 1968. Our dad\, ‘ginger’ (the major) took me along to Pinewood Studios in 1969 when I was 14 years of age and put me to work in the dark room. \nI learnt quickly and after two years left to create my own portfolio of photographs\, fashion photography was my choice and music too. I loved the work and the job was fun\, so I became very successful quickly. In 1975\, life exploded\, I got married and started working for Vogue Worldwide\, Sony Music\, Life Magazine and Rolling Stone Magazine among many others. I built my first studio in London in 1977 in Covent Garden and boxing was something that I always loved to photograph. \nI live in London\, we have two sons Jack and Maximilian and I am married to my teenage girlfriend Sandy. \n  \nCatalogue available URL:https://project-space.london/event/tony-mcgee-within-a-split-second LOCATION:Gallery 1\, 183 - 185 Bermondsey Street\, London\, SE1 3UW\, United Kingdom CATEGORIES:Events ATTACH;FMTTYPE=image/jpeg:https://project-space.london/wp-content/uploads/2017/03/P9O63611.jpg END:VEVENT END:VCALENDAR