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X-WR-CALNAME:Bermondsey Project Space
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X-WR-CALDESC:Events for Bermondsey Project Space
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DTSTART:20180101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180528
DTEND;VALUE=DATE:20180616
DTSTAMP:20260607T081746
CREATED:20180508T150143Z
LAST-MODIFIED:20180829T143606Z
UID:5612-1527465600-1529107199@project-space.london
SUMMARY:MEDIUM:OIL (part 1) Two Painters
DESCRIPTION:Two Painters\nSummer season at Bermondsey Project Space\nFeaturing DAVID ROYLE (UK) and GIANLUCA PISANO (Italy) in May and STEPHEN NEWTON (UK) solo show in July.\nAs part of the Project Space summer season dedicated to the triumph of oil painting\, Pisano’s Tales from Another World and David Royle’s Moving Matisse Furniture will be on display from 28 May until 16 June. \n  \nThe Exhibition is part of \nMEDIUMOIL\nA summer season dedicated to the art of painting\n  \nIllustrated: David Royle\, Le Reve Perturbe | Gianluca Pisano\, Antonio
URL:https://project-space.london/event/mediumoil-part-one-two-painters
CATEGORIES:Events
ATTACH;FMTTYPE=image/png:https://project-space.london/wp-content/uploads/2018/04/Untitled-2-1.png
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180619
DTEND;VALUE=DATE:20180624
DTSTAMP:20260607T081746
CREATED:20180616T145615Z
LAST-MODIFIED:20180831T083914Z
UID:5390-1529366400-1529798399@project-space.london
SUMMARY:RICOCHET: David Bowie 1983 by Denis O’Regan
DESCRIPTION:Image: Ricochet: David Bowie 1983\, book content \nRicochet: David Bowie 1983 by Denis O’Regan\n\n\n19th-23rd June\n  \n\n\n\n\nThe exhibition features the limited edition book and an exhibition of photographs from the Serious Moonlight tour. \n\n\n\n\nPublished by Moonlight Books on 20th June 2018\, the thirty-fifth anniversary of David’s Serious Moonlight tour concert in Berlin\, Ricochet : David Bowie 1983 is a unique limited edition piece of art charting David Bowie’s 1983 world tour\, a luxurious boxed set featuring offstage photographs\, lyrics\, exclusive interviews\, memorabilia\, vinyl & fine art prints. \n\n\n\n\nThe book is an official David Bowie product\, in collaboration with David’s official tour photographer Denis O’Regan\, It is the most ambitious Bowie publishing project ever\, focusing entirely on just one year in David’s life when he toured the world for the first time in five years. \nLimited edition of 2000; signed and numbered by Denis O’Regan\, supplied with an authenticated certificate featuring the official David Bowie estate stamp designed by Jonathan Barnbrook. Clothbound hardcover book with four supplementary volumes\, limited edition vinyl and three limited edition prints housed in an acrylic slipcase. With nearly 1000 images\, each personally approved by Bowie\, many of which have never before been published\, the main book in the Ricochet limited edition provides an intimate portrait of one of music’s biggest stars. Featuring personal photographs of the musician traveling the world as well as live and backstage shots\, it offers unprecedented access into Bowie’s life. \n\n\nThe boxed set contains four supplementary volumes including memorabilia\, lyrics\, tickets and extra photographs\, many of them revealing a more intimate side of Bowie\, and showing his personal choices and contact sheets\, as well as a limited edition 12 inch red vinyl\, featuring the tracks Ricochet and Let’s Dance\, re-mixed by Nile Rogers\, plus three 20 x 16 inch limited edition prints all signed and numbered by Denis O’Regan. \nTo help collectors protect their investment\, Moonlight Books have partnered with Tagsmart\, a London-based British technology company to tag and authenticate the David Bowie Estate stamp and the set of three limited edition prints that accompany each numbered limited edition. Tagsmart pioneered the application of DNA tags to authenticate artworks and is now the go-to provider of tagging and certification services in the fine art market. It was the only such business highlighted in the 2017 Deloitte Art and Finance Report. The company uses physical DNA Tags to identify artworks via an online service. Artists use the service to verify their work and issue Certificates of Authenticity to collectors\, who can access artwork data and manage their collections by building an immutable digital provenance history over time. \n\n\n\n\nThe exhibition sponsored by Olympus \n\nfrom 11 am to 6 pm\n183-185 Bermondsey Street\, London SE1 3UW\n\n \nImage © Denis O’Regan\, David Bowie Cracked Actor\, 1983.
URL:https://project-space.london/event/ricochet-david-bowie-1983-denis-oregan
LOCATION:Gallery 1 + 2 + 3\, 183 - 185 Bermondsey Street\, London\, SE1 3UW\, United Kingdom
CATEGORIES:Events
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180626
DTEND;VALUE=DATE:20180708
DTSTAMP:20260607T081746
CREATED:20180616T150748Z
LAST-MODIFIED:20180829T143433Z
UID:5392-1529971200-1531007999@project-space.london
SUMMARY:MEDIUM:OIL (part 2) The Inner And the Outer
DESCRIPTION:  \nThe Inner and the Outer\n26 – 7 July\n  \nOpening event: Tuesday 26th June\, from 6 to 9 pm\nFinissage: Meet the Artist\, Saturday 7th July\, 12-3 pm\n  \nCo-curators: Trevor Burgess and Marguerite Horner \nArtist: Trevor Burgess\, Caroline Burraway\, Nelson Diplexcito\, Oli Epp\, Marguerite Horner\, John Kiki\, Lee Maelzer\, Mona Osman \n  \n“For the only equivalent of the universe within is the universe without”. C.G. Jung \n  \nThe process of painting and drawing is a subjective encounter between inner and outer worlds. Hence the paradox of painting that a decorative surface is able to act as mode of communication. Every mark on the surface faces outwards to the world and inwards to the artist’s mind. \nIs there a point where something seen transforms into and coincides with something imagined? Where inner and outer worlds fuse? \nArtists Marguerite Horner and Trevor Burgess have brought together eight contemporary artists whose work can make us aware of this paradox\, that the quality of intense concentration that the artist directs outwards onto the visual becomes\, in the process of painting\, a mode of access to an inner life. \n  \n \nImage © Marguerite Horner\, “Verge”\, 2013\, oil on linen\, 50 x 50 cm \nMarguerite Horner writes of “the external world as a trigger or metaphor for experiences.” The paintings may depict suburban or urban houses\, cars\, freeways yet these are a gateway to subjective experiences that may evoke transience\, intimacy\, loss and hope. \n\n \nImage © Nelson Diplexcito “Robe”. 2017\, oil on paper\, 51 x 68.5cm \nFor Nelson Diplexcito there is a starting point in the direct encounter with images of various kinds\, whose resonance is found in the development of the work through a process of what might called a search for painterly analogy. It is only through persistence in a process of detours and revisions that the work\, as he says\, “begins to look back at you”. \n \nImage © Lee Maelzer “Yellow stairs” \nLee Maelzer has made her own the overlooked\, overgrown\, neglected\, decaying crannies of our 21st-century environment – whether experienced and photographed by her directly or constructed through the dystopian mixed media collages she makes as source images. It is through the finely judged tonal and chromatic intensity of the realization in paint that these places transform into a state of mind that you enter and inhabit. \n \nImage © Trevor Burgess “Two boys\, Granary Square”. 2015\, oil on board\, 100 x 100cm \nFor Trevor Burgess\, the paintings start with his visual experience of everyday public spaces captured in snapshot photos. He says it is important that the paintings have a starting point in something he has seen and experienced\, but there is always a gap between the appearance and the experience\, which painting makes explicit. \n \nImage © Caroline Burraway’s “Untitled 18” charcoal\, 120 x 120 cm \nCaroline Burraway’s relationship to her photographic source material is more direct. Her process of charcoal drawing intensifies the impact of the image – portraits that seek to restore power to people who have suffered\, often in a historical and political context. In this case\, the artist directs the creative process outwards inviting empathy with the subject. \n \nImage © Mona Osman “Et puis Je fume” 2017\, mixed media\, 150 x 120cm \nBut painters can equally come at painting from within their imaginations. Mona Osman starts with the populous contents of her inner world which teem over the canvas. Her personal experiences take a visible form that give them a narrative and pictorial logic. \n \nImage © John Kiki “The sculptor”\, 2018\, acrylic and collage on canvas\, 68 x 63cm \nJohn Kiki’s process of making figure paintings is an endless tirelessly inventive play with the creative potential of his medium\, where inner and outer worlds vividly replenish each other. \n \nImage © Oli Epp “You spin me right round”\, 2018\, oil\, acrylic and spray paint on canvas\, 150 x 180cm. \nOli Epp‘s paintings are informed by everyday experiences and observations. They are autobiographical; sometimes confessional\, sometimes irreverent and frequently handled with a humorous sense of pathos. His work focuses on situations that involve himself\, or others that he has witnessed\, in public and private moments that pass by as unremarkable\, at a glance. But documenting these unreported tragedies in paint is\, for him\, an act of discovery. \n  \n\n\n\n\nTHE INNER AND THE OUTER exhibition is part of\nMEDIUMOIL\nA summer season dedicated to the art of painting\n\n\n\n\nIllustrated: Oli Epp You spin me right round\, 2018
URL:https://project-space.london/event/coming-soon-inner-outer
CATEGORIES:Events
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