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X-WR-CALDESC:Events for Bermondsey Project Space
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DTSTART:20180101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180626
DTEND;VALUE=DATE:20180708
DTSTAMP:20260607T123328
CREATED:20180616T150748Z
LAST-MODIFIED:20180829T143433Z
UID:5392-1529971200-1531007999@project-space.london
SUMMARY:MEDIUM:OIL (part 2) The Inner And the Outer
DESCRIPTION:  \nThe Inner and the Outer\n26 – 7 July\n  \nOpening event: Tuesday 26th June\, from 6 to 9 pm\nFinissage: Meet the Artist\, Saturday 7th July\, 12-3 pm\n  \nCo-curators: Trevor Burgess and Marguerite Horner \nArtist: Trevor Burgess\, Caroline Burraway\, Nelson Diplexcito\, Oli Epp\, Marguerite Horner\, John Kiki\, Lee Maelzer\, Mona Osman \n  \n“For the only equivalent of the universe within is the universe without”. C.G. Jung \n  \nThe process of painting and drawing is a subjective encounter between inner and outer worlds. Hence the paradox of painting that a decorative surface is able to act as mode of communication. Every mark on the surface faces outwards to the world and inwards to the artist’s mind. \nIs there a point where something seen transforms into and coincides with something imagined? Where inner and outer worlds fuse? \nArtists Marguerite Horner and Trevor Burgess have brought together eight contemporary artists whose work can make us aware of this paradox\, that the quality of intense concentration that the artist directs outwards onto the visual becomes\, in the process of painting\, a mode of access to an inner life. \n  \n \nImage © Marguerite Horner\, “Verge”\, 2013\, oil on linen\, 50 x 50 cm \nMarguerite Horner writes of “the external world as a trigger or metaphor for experiences.” The paintings may depict suburban or urban houses\, cars\, freeways yet these are a gateway to subjective experiences that may evoke transience\, intimacy\, loss and hope. \n\n \nImage © Nelson Diplexcito “Robe”. 2017\, oil on paper\, 51 x 68.5cm \nFor Nelson Diplexcito there is a starting point in the direct encounter with images of various kinds\, whose resonance is found in the development of the work through a process of what might called a search for painterly analogy. It is only through persistence in a process of detours and revisions that the work\, as he says\, “begins to look back at you”. \n \nImage © Lee Maelzer “Yellow stairs” \nLee Maelzer has made her own the overlooked\, overgrown\, neglected\, decaying crannies of our 21st-century environment – whether experienced and photographed by her directly or constructed through the dystopian mixed media collages she makes as source images. It is through the finely judged tonal and chromatic intensity of the realization in paint that these places transform into a state of mind that you enter and inhabit. \n \nImage © Trevor Burgess “Two boys\, Granary Square”. 2015\, oil on board\, 100 x 100cm \nFor Trevor Burgess\, the paintings start with his visual experience of everyday public spaces captured in snapshot photos. He says it is important that the paintings have a starting point in something he has seen and experienced\, but there is always a gap between the appearance and the experience\, which painting makes explicit. \n \nImage © Caroline Burraway’s “Untitled 18” charcoal\, 120 x 120 cm \nCaroline Burraway’s relationship to her photographic source material is more direct. Her process of charcoal drawing intensifies the impact of the image – portraits that seek to restore power to people who have suffered\, often in a historical and political context. In this case\, the artist directs the creative process outwards inviting empathy with the subject. \n \nImage © Mona Osman “Et puis Je fume” 2017\, mixed media\, 150 x 120cm \nBut painters can equally come at painting from within their imaginations. Mona Osman starts with the populous contents of her inner world which teem over the canvas. Her personal experiences take a visible form that give them a narrative and pictorial logic. \n \nImage © John Kiki “The sculptor”\, 2018\, acrylic and collage on canvas\, 68 x 63cm \nJohn Kiki’s process of making figure paintings is an endless tirelessly inventive play with the creative potential of his medium\, where inner and outer worlds vividly replenish each other. \n \nImage © Oli Epp “You spin me right round”\, 2018\, oil\, acrylic and spray paint on canvas\, 150 x 180cm. \nOli Epp‘s paintings are informed by everyday experiences and observations. They are autobiographical; sometimes confessional\, sometimes irreverent and frequently handled with a humorous sense of pathos. His work focuses on situations that involve himself\, or others that he has witnessed\, in public and private moments that pass by as unremarkable\, at a glance. But documenting these unreported tragedies in paint is\, for him\, an act of discovery. \n  \n\n\n\n\nTHE INNER AND THE OUTER exhibition is part of\nMEDIUMOIL\nA summer season dedicated to the art of painting\n\n\n\n\nIllustrated: Oli Epp You spin me right round\, 2018
URL:https://project-space.london/event/coming-soon-inner-outer
CATEGORIES:Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180710
DTEND;VALUE=DATE:20180729
DTSTAMP:20260607T123328
CREATED:20180708T150143Z
LAST-MODIFIED:20190720T103402Z
UID:5444-1531180800-1532822399@project-space.london
SUMMARY:MEDIUM:OIL (part 3) Abstract Realities
DESCRIPTION:  \nABSTRACT REALITIES\nStephen Newton\n10 – 28 July\n  \nNewton is not a realist\, but a new kind of surrealist. Psychoanalytic theory has moved away from drive theory towards relational theory\, and so has the most subtle and sophisticated surreal art\, Newton’s paintings being exemplary. All the more so because they incorporate drive\, as their excited painterliness indicates\, into their realism. That is\, their rendering of objects – the desolate and isolated objects – in his empty space\, sometimes cosmically and threateningly empty. The stark geometry of the space – the confrontal planarity of the rooms – makes its emptiness more intimidating. \n\nNewton’s work offers ‘radically Distilled imagery\, simple – even childlike iconographies represent a far more primeval Creative force that stir (often uncontrollable) sensations of recognition in those that take the time to consider and reflect on them. \n\nABSTRACT REALITIES is supported by State Magazine \nhttp://www.state-media.com \n\n—– \nTuesday to Saturday \n11 am –  6 pm \n183-185 Bermondsey Street\, SE1 3UW\, London \n  \n\nMEDIUMOIL\nA summer season dedicated to the art of painting\nillustrated: Stephen Newton\, Communion\, 2018
URL:https://project-space.london/event/mediumoil-abstract-realities-stephen-newton
CATEGORIES:Events,Previous Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180731
DTEND;VALUE=DATE:20180902
DTSTAMP:20260607T123328
CREATED:20180728T124152Z
LAST-MODIFIED:20190720T103402Z
UID:5622-1532995200-1535846399@project-space.london
SUMMARY:Sophie Morrish – Island Time: North Uist Works
DESCRIPTION:Island Time: North Uist Works\nSophie Morrish\n31 JULY – 1 SEPTEMBER\nCurated by Mel Gooding\nFor ten years artist Sophie Morrish has lived and worked on the remote Outer Hebridean island of North Uist. During that period her artistic practice has been continuous with her life: walking\, finding\, photographing\, identifying and collecting the natural objects cast by the Atlantic upon the island’s shore\, and registering the changing skies and clouds\, the rhythm of the tides\, the littoral light and weathers. \nThis long-term artistic process places Morrish squarely in the line of those contemporary artists who work within the ambit of landscape and the natural world: Herman de Vries\, Richard Long\, Chris Drury\, and Giuseppe Penone. \nThis spectacular exhibition constitutes nothing less than a thrilling phenomenology of deep time and natural processes in a unique place\, insular and marine. In its presentations – drawings\, photographs\, arrays and arrangements — the immediacy of real time\, its stark lives\, deaths and transmutations\, is inserted within the vastness of cosmic and oceanic time\, measured by the phases of the moon\, the circling sun\, and the endless rocking of the sea upon the shores of the world. \nMel Gooding is the author of Song of the Earth: European Artists and the Landscape (Thames and Hudson 2002) and Herman de Vries: Chance and Change (Thames and Hudson 2006) \nCatalogue Available \n  \nIllustrated: Detail of Constellation (After Fire)\, burnt animal bones on board\, 2018
URL:https://project-space.london/event/5622
CATEGORIES:Events,Previous Exhibitions
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