MEDIUM:OIL (part 3) Abstract Realities
ABSTRACT REALITIES Stephen Newton 10 - 28 July Newton is not a realist, but a new kind of surrealist. Psychoanalytic theory has moved away from drive theory towards…
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Sophie Morrish – Island Time: North Uist Works
Island Time: North Uist Works Sophie Morrish 31 JULY - 1 SEPTEMBER Curated by Mel Gooding For ten years artist Sophie Morrish has lived and worked on the remote Outer…
Claudia De Grandi: Waves and Horizons
Waves and Horizons Claudia de Grandi 4 - 8 SEPTEMBER Curated by Alan Rankle Private View Wednesday 5th September 6 – 9 pm Claudia De Grandi brings an impressive…
Debbie Castro — I – CUT
I-CUT Debbie Castro 11 - 15 September Private View Thursday 13th September 6 – 9 pm I have an overwhelming need to document key changes and turning points in…
Philip Volkers: Dust to Dawn – A Photographic Adventure at Burning Man
Dust to Dawn A photographic Adventure at Burning Man Philip Volkers 11 - 15 September 2018 Renegade photographer Philip Volkers’ book “Dust to Dawn” which is to be published by…
Maryam Eisler: Adventures & Obsession
Adventure & Obsession Maryam Eisler 18 - 30 SEPTEMBER Private View Thursday 20th September 6 – 9 pm Photographer Maryam Eisler presents images from two series #She and Havana: Beauty and…
The Discontents
The Discontents Matthew Collings, Tommaso Corvi-Mora, Zavier Ellis, Matthew Higgs, Max Presneill 2 – 13 October Private View Tuesday 2nd October 6 – 9 pm The Discontents brings…
Drawn to London
Drawn to London Within the shadow of the Tower 16 October – 3 November Curated by: Philippa Beale Artists: Alexandra Blum, Philippa Beale, John Blandy, Stella Carr, Paul…
Nick Malone: The Disappearance of Makepeace – A Tale of Two Lives
The Disappearance of Makepeace A Tale of Two Lives NICK MALONE 6-10 November 2018 The exhibition follows on from an earlier solo at BPS, which acted as…
Christina Reihill: Glad I Did It
Glad I Did It Christina Reihill 14 November - 1 December Night club manageress Ruth Ellis (1926 - 1955) poses for one Captain Ritchie, 1954. The setting is…